"OH HELL AGAIN!" ('23) for puppet and mask

characters:

Don Juan - a Spanish libertine

Statue of Don Gonzalo - whom Don Juan murdered, father of Dona Ana



Don Juan leans upon a rock, looking bored. Behind him is the statue of Don Gonzalo.

DON GONZALO
(looks at Don Juan)
Well, Don Juan, how do you enjoy Hell?

DON JUAN
(turns to him slowly)
Que? Hablas en serio?

DON GONZALO
Of course. As I represent the one you murdered, ensuring your place here, it is of interest to me how your damnation is coming along.

DON JUAN
Por que hablas ingles?

DON GONZALO
(laughs)
Those damned Christians are always spewing Latin at the rebellious ones cast into the Pit, so they don't use any of the Latin languages anymore,
and get angry if they hear it. Same goes for the Arabic ones.

DON JUAN
Well, who knew devils could be so sensitive.

DON GONZALO
Humans are far more vicious to their own kind than any devil.

DON JUAN
Why I could never settle down into the conformity. I saw so much cruelty.

DON GONZALO
Oh, come now Don Juan. You yourself could be cruel, and selfish.

DON JUAN
Ha! Who are you to judge Commodore?! You were very much of the established order.

DON GONZALO
(laughing)
I brought you to Hell, but though I have the appearance of Don Gonzalo, I am but a supernaturally animated statue.

DON JUAN
Y que? Why should I care?

DON GONZALO
I am a representative of justice.

DON JUAN
(looking at him, sarcastically)
Oh, perdoname.

DON GONZALO
I would have thought you would be spending more time excersing your lusty loins.

DON JUAN
Dios mio! The women here are either cold-blooded whores, or even colder self-righteous viejo conos secos.

DON GONZALO
(laughs)
Being a whore yourself I would think the former would be your kind.

DON JUAN
(puffing up)
I am a man! It is natural for a man to conquer a woman's chastity, just as
it is natural for a woman to hold on to it dearly.

DON GONZALO
(chuckles sardonically)
Oh, what a blind thing is the male ego.

DON JUAN
That is the way of men and women.

DON GONZALO
And what of hermaphrodites?

DON JUAN
Que barbaridad! They are unnatural!

DON GONZALO
How is that since they happen in nature?

DON JUAN
The devils are always perverting nature.

DON GONZALO
(amused)
You humans are always blaming devils for what you don't understand.

DON JUAN
Ay! Do they not tempt humans away from God?

DON GONZALO
(winces, looking around)
Do stop mentioning Him! His presence is very much absent here.

DON JUAN
Clearly.

DON GONZALO
Who needs Him anyway!

DON JUAN
The servile, and the rebellious angels.

DON GONZALO
And who do you rebel against?

DON JUAN
Society.

DON GONZALO
Ha! You just can't keep your hands off of women.

DON JUAN
Which, I gather, is why I am here.

DON GONZALO
Despite what religion claims there is nothing wrong with sex.
But the holy judges your habit of seduction and abandonment, not
to forget him whom you murdered.

DON JUAN
That pompous old general? What loss was he?

DON GONZALO
He died trying to protect his daughter.

DON JUAN
(laughs heartily)
He failed miserably.

DON GONZALO
(quietly)
And you succeeded.

DON JUAN
(pridefully puffing up)
Indeed I did.

DON GONZALO
And what became of her?

DON JUAN
I do not know, nor do I care. She gave me pleasure, then I moved on.

DON GONZALO
There, you see, cruel and selfish.

DON JUAN
Bah! I can not settle down. I must keep moving. Ever forward.

DON GONZALO
And where did it get you?

DON JUAN
(sadly)
No time to get bored.
(beat)
Till now.

DON GONZALO
Do you not feel you have wasted your life?

DON JUAN
They write poems about me. I have been played on the stage, dramatically and
musically.

DON GONZALO
And so? What does that amount to?

DON JUAN
Immortalidad!

DON GONZALO
And if you had to do all over again? What then?

DON JUAN
I would do it all the same. Vivi! I lived. Right or wrong, even both, I lived.
By my own rules. And what, now I pay the price? So be it!

DON GONZALO
Bravo!
(laughs heartily)
I like you Juan. Rascal that you are, I like you.

DON JUAN
Gracias, amigo. Shall we be amigos, then?

DON GONZALO
Indeed, we will. Shall we wander this endless plain?

DON JUAN
Certainly!

DON GONZALO
(lowering his voice)
Just be careful con quien hablas espanol.


F.O.

THE DAMNABLE DOCTOR FAUSTUS


adapted by
David M. Nevarrez

from Christopher Marlowe’s
THE TRAGICAL HISTORY OF DOCTOR FAUSTUS
as adapted by Orson Welles

the chap book
HISTORIA VON D. JOHANNES FAUSTEN...
translated by H.G. Haile

both parts of Johann Wolfgang von Goethe’s
FAUST TRAGODIE

including historical references by contemporaries
and fragments from works by Cornelius Agrippa, F. M. Klinger, Chamisso and Euripides

David M. Nevarrez
Magus Productions
2802 19th Ave S, No. 3
Seattle, WA 98144
c 1997 David M. Nevarrez
revised c 2020



































Dramatis Personae:

WAGNER Faustus’ famulus and biographer

FAUSTUS Scholar of Wittenberg

KLINGE A monk, and chronicler

CORNELIUS Sorcerer, teacher of Faustus

MARTHE A witch, friend of Cornelius

GRETCHEN A young witch

MEPHOSTOPHILES A spirit

MARGARITA Ghost, seducer

THE KNIGHT of the Emperor’s court [Lord of Hardeckh]

THE PRINCESS of Anhalt [could be Margarita disguised]
HELEN of Sparta

LILITH spirit who was once mortal

puppets: A CAT familiar to Marthe
THE POPE [CLEMENT VII] of the Catholic Church
THE EMPEROR [CHARLES V] of the Holy Roman Empire
THE KNIGHT [LORD OF HARDECKH] of the Emporer's Court
THE SPIRIT OF ALEXANDER the Great
THE SPIRIT OF THAIS Alexander's lover

on audio: CHORUS OF WITCHES At the Sabbat on Walpurgis Night
SPIRIT OF THE EARTH The voice of reason
INNER VOICE OF FAUSTUS The voice of restriction





Time: Begins in 1507 and spans thirty-one years
Place: All over Germany, Hell, and the Heavens















ACT I


Scene 1: (Spot up. Enter Wagner, wearing an old
man’s mask, steps into spot)

WAGNER
Good evening, ladies and gentlemen, we shall now relate the fortunes of Faustus,
good and bad. He was born to noble his parents, in Germany, of the family called
von Helmstatt; in later years he was sent to Heidelberg, where a kinsman brought him up.
Soon he excelled in philosophy, and was honoured with doctor’s name. Next he went to
Krakow, where he studied astrology and astronomy. Then, swollen with pride and glutted
with learning, he traveled about the land. He stopped at Wittenberg to study divinity for
a time, whence first I met him.

(Spot down, lights up, as Wagner crosses, removing the mask, to Faustus at
his desk.)

WAGNER
(Nervous excitement)
I’ve been here just a little while and come in all humility to meet and know a man whom all name to me, always, reverently. FAUSTUS I am delighted at your courtesy. You see a man like any other. WAGNER (Enthusiastic) I come with the best of resolutions. My health’s good, I’ve a little money, my mother would hardly let me go. I’m here to get a real education. FAUSTUS (Amused) If that’s so, this is the right place. WAGNER (Fervently) But honestly, I wish that I could leave! Inside these halls, there’s not one thing that I enjoy. Everything’s so cramped, so crowded, there’s nothing green, not even a tree, and in the classrooms, on the benches, I can’t think, I can’t hear, I can’t see. FAUSTUS (Patiently) It all depends on what you’re used to. The infant takes it’s mother’s breast in the beginning, all unwillingly. Soon it feeds with appetite. And so you, at the breasts of Wisdom, each day will drink more eagerly. WAGNER (Calmer) I’ll hang about her neck with joy. But tell me, how shall I go about it? FAUSTUS Tell me, before you go any further, just what have you selected for your major? WAGNER I want to become a very learned man. I want to learn to understand whatever there is in heaven or on earth. And science, and Nature too. FAUSTUS You’re on the right track there. But you mustn’t let anything distract you. WAGNER I’m in this heart and soul! Still, though. I’ve got to admit that I’d enjoy a little freedom, and some recreation on nice days, in the summer vacation. FAUSTUS (Emphatically) You must use your time wisely, for it slips away so fast. But System will teach you to gain time. Therefore, my dear boy, I advise you to enroll in logic first of all. There your spirit will be nicely drilled. Through many a long day you’ll be taught that what you did once without thinking, as easy as if it were eating or drinking, must be done in order. WAGNER I don’t entirely understand you. FAUSTUS It will all go better by and by when you’ve learned to analyze and classify. WAGNER All this makes me feel so stupid, as if there were a mill wheel in my head. FAUSTUS (Ardently) Then, next, you must tackle metaphysics! Make sure you profoundly understand whatever’s too big for the human brain! Whether it will go in, or won’t, some glorious word is at your service. (Calming down) But in the meantime, this semester, be absolutely systematic! You’ll have five classes every day. You be there on the stroke of the bell. Be thoroughly prepared beforehand. Know all your paragraphs by heart. That way you can check up on him if he says something that’s not in the book. But concentrate on taking notes. Take notes as if the Holy Ghost were doing the dictating. WAGNER (Steps closer, hesitantly) That you don’t have to tell me twice! I realize how much that helps. If you’ve put something down in black and white, you’re certain of it when you get it home. FAUSTUS But what have you selected for your major? WAGNER (Shyly) I just can’t mäke myself take law. FAUSTUS And I can’t blame you much for that. I know how things are in that field. The laws and statutes are passed down like some interminable disease. They drag from one generation to the next and slowly shift from land to land. Reason turns to nonsense, blessings into curses. As for the rights that we are born with, alas, there’s always a question. WAGNER You’ve made me dislike it more than ever. Fortunate the student whom you teach! (Hesitates) I’d almost like to take theology. FAUSTUS I shouldn’t like to lead you astray, and where that science is concerned, it’s hard to keep on the right track. Inside it there is so much hidden venom you hardly know which is poison, which is cure. But here, too, you had better choose one man, and swear by the master’s word. In general, just stick to words! And you’ll move on, through the Gate of Surety, into the Temple of Security. WAGNER But there has to be a thought with the word. FAUSTUS All right! But you needn’t let that worry you. With words you can argue beautifully, with words you can make up a system. You can make believers with words. WAGNER Forgive me, I’m keeping you with all these questions, but I must bother you a little more. Would you be kind enough to give me a few words on medicine? Three years is such a little while and, lord, the field’s so wide. If one’s given even a hint, it’s easier for him to feel his way. FAUSTUS The soul of medicine is easy to understand! You master the microcosm, and in the end you let things happen as it pleases God. It’s no good roving through the sciences, each of us learns only what he can. But he who can seize the instant, there’s your man! You’re well built, you’ve plenty of sense. If you trust yourself, the others will trust you too. WAGNER That’s more like it. Now I see the where and the how. FAUSTUS All theory, my friend, is gray. The golden tree of life is green. WAGNER I swear to you, It is all like a dream! May I bother you some other time to get to the very bottom of your wisdom? FAUSTUS (Stifling a laugh) I’ll be happy to do what I can. (Faustus rises crosses to Wagner, puts a hand on his shoulder an leads him to bookcase, where he takes down a book They cross to the desk where Wagner sits to peruse the book at Faustus‘ guidance. Faustus smooths Wagner’s hair. Wagner looks up at him with ardour. Faustus leans over for a kiss. Suddenly there is a persistent knocking at the door. Faustus crosses to the door, which he opens. Enter Klinge). KLINGE (Nervous) My neighbour, Master Sabellicus, I have to desire of you a Christian request, beseeching you that you will vouchsafe not to be angry with me, but resolve me in my doubt. FAUSTUS I pray you say your mind. KLINGE Neighbour, you know in the beginning how that you have defied God, and all heavenly pursuits, wherewith you have incurred God’s high displeasure, and are become from a christian as if a heathen person. Consider what you have done, it is not only the pleasure of the body, but the safety of the soul that you must have respect unto, of which if you be careless, then are you cast away, and shall remain in the anger of almighty God. (Faustus starts to say something, but Klinge is not done with his sermon. Wagner just continues to watch). KLINGE But yet is it time enough, Master Doctor. if you will repent and call unto the lord for mercy, as we have example in the “Acts” of the apostles, the eighth chapter of Simon of Samaria, who was led out of the way, affirming that he was Simon homo sanctus. This man... FAUSTUS (Interrupting) I pray you, Dr. Klinge, be not afraid for my soul, for what rumours you have heard are greatly exaggerated from the truth. KLINGE (Pulls a letter from his sleeve) I have hear a letter from Johannes Trithemius, Abbot of the monastery at Wurzburg, dated this past 20th day of August, A.D. 1507. (Reads -- as he does so both Faustus and Wagner react variously) “The man, who calls himself Master Georgius Sabellicus, or Doctor Faustus, the chief of necromancers, astrologer, palmist, diviner with earth and fire and water, is a vagabond, a babbler and a rogue, who deserves to be thrashed so that he may not henceforth rashly venture to profess in public things so execrable and so hostile to the holy church. When I was returning last year from Mark Brandenburg, I happened upon this same man in the town of Gelnhausen, and many silly things were told me about him at the inn. As soon as he heard that I was there, he fled from the inn and could not be persuaded to come into my presence. The description of his folly he also sent to me through a certain citizen. Afterwards, while I was at Speyer, he came to Wurzburg and, impelled by the same vanity, is reported to have said in the presence of many that the miracles of Christ the Saviour were not so wondertul, that he himself could do the same things, as often and whenever he wished. Towards the end of Lent of the present year he came to Kreuznach and with like folly and boastfulness made great promises, saying that in alchemy he was the most learned man of all times and that by his knowledge and ability, he could do whatever anyone might wish. In the meantime there was vacant in the same town the position of schoolmaster, to which he was appointed through the influence of Franz von Sickingen. the magistrate and a man very fond of mystical lore. Then he Indulged in the most dastardly kind of lewdness with the boys and when this was discovered, he avoided by flight the punishment that awaited him. These are the things which I know through very definite evidence concerning the man who is not a philosopher but a fool.” FAUSTUS I know not what to say to these baseless accusations, except to point out that it is well known that this abbot Trithemius is inclined to the fantastic, and has a considerable reputation as a magician. KLINGE (Aghast) Although I do not know this learned abbot, I cannot believe him to be so maligned. FAUSTUS And yet you believe the defamations against me. (Wagner smiles; Klinge tries to respond, but only stutters). FAUSTUS I think, Dr. Klinge, that you should be certain of your accusations before making them. KLINGE (Flustered, but righteous) I shall be watching you, herr Doctor. (Klinge exits.). FAUSTUS (Coming back to Wagner) Well, my son, how would you like to move into this my house, and study under my guidance? WAGNER It is a charming house. FAUSTUS It was left to me by a fatherly kinsman. (He crosses to the desk) Why don’t you look about the house on your own, so as to familiarize yourself with it. WAGNER I shall, sir. (Wagner exits. Faustus picks up a book from the desk begins perusing it). FAUSTUS (Struggling with impatience) Settle your studies, Faustus, and begin to sound the depth of that which I would profess; be divine in show, yet level. In Aristotle’s works, sweet Analytics ravished me. “To argue well is the end of logic.” Is to dispute well logic’s primary end? Then no more, for I attained that end. A greater subject is fit for my wit. (opens a book of medicine, reads) “Where the philosopher leaves off, there the physician begins.” Be a physician, then, and be immortalized for some wondrous cure. (reads more) “The end of physic is our body’s health.” Could I make men live eternally, or, being dead, raise them to life again, then this profession should be revered. Physic, farewell. Where is Justinian? (takes law book, reads) “If one and the same thing is bequeathed to two persons one gets the thing and the other the value of the thing.” Such is the subject of the Institute and universal Body of the Law. (throws book aside) It’s study fits a mercenary drudge, who aims at nothing but external trash: too servile and illiberal for me. When all is done, divinity is best: Jerome’s Bible, view it well. (Takes bible, reads) “The reward of sin is death.” Ha! That’s hard. (Reads) “If we say that we have no sin we deceive ourselves, and there’s no truth in us.” Why then, we must sin, and so consequently die. Yes, we must die an everlasting death. “Che sera sera?” Divinity, adieu. (He pushes the books off his desk, stands. He ponders the bookcases) These metaphysical and necromantic books are heavenly. (He takes a book from the shelf, looks through it) Lines, circles, scenes, letters and characters, yes, these are those that I most desire. (Sits with book) Oh what a world of profit and delight, of power, of honour, of omnipotence is promised to the studious artisan! Here, Faustus, try your mind at gaining a deity. (Reads, beat) Wagner! (Beat. Enter Wagner). WAGNER Yes, sir? FAUSTUS Go to the great Cornelius Agrippa; request him earnestly to visit me. You will find him at the inn just outside the city gate. WAGNER I will, sir. (He exits). FAUSTUS His conference will be a greater help to me than all my labours. THE INNER VOICE OF FAUSTUS SPEAKS Faustus, lay that damned book aside, and cease to gaze upon it, lest it tempts you. FAUSTUS No, go forward, Faustus, in that famous art, wherein all nature’s treasure is contained. VOICE And heap God’s heavy wrath upon your head? Read the scriptures. Turn away from blasphemy. FAUSTUS (Willfully) I am glutted with curiosity. Shall I not make spirits fetch me what I please? Resolve me of all ambiguities? Perform what desperate enterprise I will? (Rises enthusiastically) I’ll have them fly to India for gold! Ransack the ocean for orient pearl! And search all corners of the new-found world for pleasant fruits and princely delicates! (Crosses right, becoming feverish) I’ll have them read strange philosophy, and tell the secrets of all foreign kings! (Crosses left) I’ll have them wall all Germany with brass, and make swift Rhine circle fair Wittenberg! (Stops at desk, laughs) I’ll have them fill the public schools with silk, wherewith the students shall be bravely clad. (Becoming dark) I’ll levy soldiers with the coin they bring, and reign as sole king of all the provinces. Yes, strange engines for the brunt of war, I’ll make my servile spirits to invent. (He sits, as if exhausted by the outburst. Wipes his face with his sleeve. When he is steady again, he pulls the book back to himself and reads. Pause. A knock at the door) FAUSTUS (Looking up and calling out) Enter. (Wagner enters leading in Cornelius Agrippa. Faustus rises, crosses to greet Cornelius. Wagner exits). FAUSTUS Welcome, Master Agrippa. CORNELIUS A good evening to you, Master Helmstetter. Or, as I hear, should I say, Doctor Faustus? FAUSTUS My christian name of Georg shall do. CORNELIUS And you must call me Cornelius. FAUSTUS Very well. But come, Cornelius, and give me your sage advise. Know that your words have won me at last to the practice of magic and the concealed arts: yet not your words only, but mine own fantasy, tar my head but ruminates on necromantic skill. (Wagner enters with two goblets and a pitcher, gives one goblet to Cornelius, one to Faustus, and places the pitcher on the desk, then exits). CORNELIUS Then tell me, Georg. what shall you want? FAUSTUS Philosophy is odious and obscure, both law and physic are for petty wits; divinity is basest of the four, unpleasant, harsh, contemptible, and vile: ‘tis magic, magic, that has ravished me. (Beat, Cornelius smiling and nodding his head) Then, friend, aid me in this attempt; and I will be as cunning as Capnio, whose shadows make all Europe honour him. CORNELIUS Georg, these books, your wit, and experience shall make all nations worship us. The spirits of every element shall always be serviceable to us, if learned Faustus will be resolute. FAUSTUS Cornelius, I am as resolute In this as you are to live; therefore doubt it not. CORNELIUS The miracles that magic will perform will make you vow to study nothing else. He that is grounded in astrology, enriched of tongues, as well seen in minerals, has all the principles that magic requires. FAUSTUS Oh this cheers my soul! Come show me some demonstrations magical, that I may conjure, and have these joys in full possession. CORNELIUS Then get and bear wise Bacon’s and d’Abano’s works, and whatsoever else is requisite I will inform you before our conference ends. First you must know the words of art; and then, all other ceremonies learned, you may try your cunning by yourself. FAUSTUS Then come and dine with me. and we’ll cover every aspect thereof; for I’ll conjure though I die for it. (Calling out) Wagner! (Enter Wagner). WAGNER Yes sir? FAUSTUS Please go and fetch my supper here, and enough for my learned friend. WAGNER Very well, sir. (Wagner exits). FAUSTUS Friend Cornelius, Instruct me further on your sage studies. What have you to say on divination? CORNELIUS (Collecting his thoughts) With regards to divination, it happens, sometimes, that with a kind of instigation of the mind, comes divine insight. Aristotle calls this ravishment, or a kind of madness, and teaches that it proceeds from a melancholy humour. Democritus and Plato attest the same, saying that there were some melancholy men that had such excellent wits that they were thought and seemed to be more divine than human. (Drinks. Faustus crosses with pitcher, refills his goblet). FAUSTUS I must learn this state of mind! How must I go about It? CORNELIUS I shall not merely tell you. I shall show you! (Faustus looks exited. Cornelius lifts his goblet. Faustus does likewise, and they toast each other. Wagner enters with a tray of food, which he places on the desk with some difficulty -- because of the mess -- while Faustus shows Cornelius his books. When Wagner is finished setting up, he exits. Cornelius takes a book from a shelf, and Faustus leads him to the desk, where they eat, drink and peruse the book. [3] Beat. The sun begins to rise). CORNELIUS (Turning to take in the morning) See how the sun brings the earth to life with colour. (Rises and crosses to window) Come here. From here look at the city. (Faustus crosses to him) See, from the gateway’s cavernous gloom surges a throng. From the mean houses’ dingy rooms, to the manacles of craft and trade, from the burden of roof and gable, to the streets’ suffocating narrowness, they are all brought forth into the light. The crowd spreads through the fields and gardens. many a boat is dancing on the stream. The first barge sets off down the river. Already I hear the uproar of the village. FAUSTUS To talk like this with you is an honour, Cornelius. And a profit, too. Still, though, I’d never go out there alone. I’m the enemy of everything that’s coarse. It seems to me that is an absolutely detestable hubbub. As if the Devil drove them, they run riot. (Beat) Happy the man who from the talents God gave him, can reap a reward. CORNELIUS (Turns from the window, steps back into the room) My teacher was a good man lost in the dark. With what enthusiasm, what extravagance, yet in his own odd way, in all sincerity, he brooded on Nature and her sacred spheres. He locked himself in the black kitchen with the other adepts. Then with interminable recipes, compounded incompatibles. These mixed in a lukewarm bath, and over an open flame the elixir was tortured from one chamber to the next. When, afterwards, bright as a rainbow shining up from the beaker, there was the medicine. The patients died and no one asked, “But who’s recovered?” FAUSTUS (Turns to Cornelius) But how can you let that upset you? An honest man who practices his trade punctiliously, conscientiously, as it’s handed down to him -- surely he’s done enough. If in your youth you honour your teacher. you gladly let him instruct you, then, when a man, you’ve added to man’s knowledge, your student in his turn can reach a higher goal. CORNELIUS Oh, he is happy who has any hope of rising, ever, from this sea of error. What we don’t know is just what we could use, and what we do know is no use to us. (Indicates books) But let’s not spoil with melancholy thoughts the gift of this sweet hour. See how the huts there lie shimmering in the sun’s first light. He rises, and the day lives; he hurries on to nourish life. Alas, that no wing lifts me from the earth that I might strive on after him forever! FAUSTUS I’ve often had my feverish hours, but such a longing I have never felt. I envy no bird its pinions. How differently the pleasures of the spirit bear us from book to book, from page to page, and as you unroll some precious parchment the heavens themselves descend upon you. CORNELIUS You know only the one longing. Never learn to know the other! Two souls dwell in my breast, each struggling to get tree of the other. The one, in gross and passionate desire, clutches at the world with greedy limbs; the other soars, imperious, from the dust into the realms of the first lofty fathers. (To the heavens) You spirits! If there are spirits in the air who rule and hover between heaven and earth, come down to me from out of your golden mists, carry me oil to some new rainbow life! FAUSTUS Oh, do not summon them, the famous throng, the demons who stream through the sky preparing from every quarter of the earth a thousand evils for mankind. They gladly eavesdrop, they love mischief so -- gladly obey, they love so to betray us. They act as if they were sent from Heaven, and lisp like angels as they lie. (Looking out the window) The world’s grown gray already. The air is chill, the mist is rising. (A knock at the door. Wagner enters, hesitates on the threshold). WAGNER Excuse me! I heard you discoursing. Were you reading Greek tragedy? Could learning Greek help my advancement? Would you give me lessons? There’s an old saying that a even a priest can learn from an actor. FAUSTUS In most cases a priest is an actor. Preaching is a theatrical performance. WAGNER When one is shut up in one’s study all day, only coming out to do daily chores, the world seems so far away. CORNELIUS Approach, my friend. Your name is Wagner? WAGNER (Taking a few steps into the room) Illustrious sir, that is my name. I’m glad you know it. CORNELIUS I know you, student. Thus many a learned man, like you, goes studying on. That’s all that he can do. A middling house of cards is all you build. The greatest mind sees not his task fulfilled. (Waving towards Faustus) Yet your prodigious master holds his ground. WAGNER Pray pardon, honoured sir, my bold suggestion, but this discourse, given due consideration, appears to have no bearing on the question. CORNELIUS (Turning to wink at Faustus) I’m glad you’ve come. A look of bold resolution you show, but, be not absolute in the end. If to the young we speak the simple twth, it offends the fledgling’s yellow beak. But let them have a run of years wherein they learn it shrewdly on their precious skin, they think by their own sweet will begot it, and then declare ‘The master was a clot.” WAGNER (Confused, but incited) A knave, perhaps! For, what guide of youth will really tell us, face to face, the truth? Each will enlarge or trim with prejudice, now grave, now gay, to keep the children good. CORNELIUS Indeed there is a proper time for learning. But now, I see, you lean towards teaching. Through many moons, and returns of sun, a wealth of experience you’ll win. WAGNER Experience you must own. But compared with mind it makes a wretched showing. Are the things known through many ages worth the knowing? CORNELIUS (Partly bitter, part smirk) I’ve thought as much. For I was stupid once. And now I feel a superficial fool. WAGNER Hear, hear, good sir, why talk such sense? CORNELIUS I thought to light on wealth of hidden gold, but wretched charcoal lumps were all I found. (Waving his arms) Here they rob me of my light and air. WAGNER But I, a soul inspired by freedom’s strength, pursue with joy my inner light, and swiftly, in rapture of my mind, I speed to glory, with darkness left behind. (wagner clears the dishef and exits. Cornelius and Faustus laugh). CORNELIUS Come, Georg. We have much to do. FAUSTUS Where to? CORNELIUS You shall see. You shall see. (Faustus crosses to Cornelius, and follows him out. Beat. Enter Wagner who crosses to the desk, where he picks up one of the tomes, opens it, looks through it excitedly). WAGNER Oh, this is admirable! Here I have one of Dr. Faustus’ conjuring books, and in faith I mean to draw some circles for my own use. (Flips through the pages) Now will I make all the maidens in our parish dance at my pleasure, stark naked before me; and so by that means I shall see more than ever I felt or saw yet. (Stops on a page, reads it voraciously, then aloud) “Sanctobulorum, Periphras icon.” (Rubs his hands together) “Polypragmos Belseborams framanto pacostiphos tostu, Astaroth...” (The fireplace flares up with a bang. Wagner screams and drops the book, crosses himself repeatedly as he scurries out of the room. B.O.). Scene 2 [or 4]: The Witch’s hut, dilapidated; no back wall or roof. Cluttered, but organized. A cat sleeps by the fire. Enter Cornelius and Faustus). FAUSTUS (Looking around disdainfully) I must ask for help from this old hag? This filthy cookery will help me in my search? Has neither Nature nor some noble mind discovered some safer route? CORNELIUS My friend, there is a safer way, but that is in a different book, and it’s a lengthy chapter. FAUSTUS I want to know it. CORNELIUS Fine! It’s a way that doesn’t take money or magic or medicine. Go to a cave or mountaintop, and start right in to work; pray, meditate, contemplate, keep your thoughts on the light of God, and that’s the best way to seek the Truth. FAUSTUS Oh, but to live like a hermit. I’m not used to it, I couldn’t stand it. So narrow a life would never suit me. CORNELIUS Well then, we still must have the witch. FAUSTUS But why do we need just this old woman? Why can’t you brew the stuff yourself? CORNELIUS Now that would be a pretty pastime. In that long I could travel to the New World and back. A job like this takes more than skill, and more than science, it takes patience. Year after year a quiet spirit keeps working on It. It is only time that makes the subtle ferment strong. Everything about it is wonderful! (Looks around) It seems the lady’s not at home. CAT (Lifting it’s head) Out for supper! Up the chimney, out of the house! CORNELIUS (Addressing the cat) How long does she stay out? CAT As long as it takes. CORNELIUS (To Faustus) And how do you like this tender creature? FAUSTUS The most idiotic thing I ever saw! (The cat hisses and withdraws) CORNELIUS Oh no, a little chat like this is just what I am fondest of. (Faustus notices a mirror in which the image of a young girl appears. He crosses to it, becoming totally fascinated). FAUSTUS (To himself) What do I see? What heavenly shape appears to me within this magic glass? I see her as it in a mist. The loveliest image of a woman! Can it be possible, is woman so fair? Is there such a creature upon this earth? CORNELIUS (Having watched him with amusement) Well, naturally, when God has slaved for six whole days and at the end says "Bravo!” the result is something pretty clever. And happy the man who has the luck to lead her home with him, his bride. (Sits on a stool) FAUSTUS My God. I think I’m going mad! CORNELIUS My own head’s starting to go round. (Enter Marthe, the Witch -- not the old hag expected -- who is startled to see the two men). MARTHE What’s this here? Who're these here? What do want here? How’d you sneak in here? CORNELIUS Marthe, don’t you recognize me, you bag of bones? (She looks at him closer, recognizes him, bursts out laughing. Cornelius also laughs. Faustus just looks at the two of them). MARTHE Excuse the rude reception, but I didn’t see the horses. CORNELIUS Well, forget about it. It’s a long time since we saw each other last. MARTHE Ha, you’re the same rascal you always were! Well, gentlemen, what can I do for you? CORNELIUS A good glass of that famous juice. And make it the oldest that you’ve got. (To Faustus) A year or two, and it has twice the power. MARTHE (Picks up a bottle, crosses to Cornelius) Most willingly! Now, ere’s a bottle that I myself have sometimes sampled. It’s so old it doesn’t even stink. I’ll gladly otter you a glassful. (Whispers to Cornelius) But if this man drinks it unprepared, as you know, he’ll not live an hour. CORNELIUS He’s an old friend, it will do him good. Give him the best that you can brew. Now, draw your circle, speak your spells, and let him have a fine big cupful. (Marthe, with curious gestures, draws a circle, and enters it with a big book) FAUSTUS (Becoming agitated) Now, tell me, what’s the good of It? This idiotic stuff, these crazy gestures. the whole nauseating humbug. I know it only too well, I detest it. CORNELIUS (Amused, watching with interest) Nonsense, nonsense! Come on, don’t be so finicky. She has to have her hocus-pocus. She’s a doctor, isn’t she? The dose won’t work without it. MARTHE (Reciting from the book) “Emen Hetan! Emen Hetan! I am of thee and thou art mine, I have nothing which is not thine In thy name Hecate Behold thy servant Faustus anointing himself: I should some day be great like thee’ Pray to the Moon when she is round Luck with you shall then abound What you seek for shall be found In sea or sky or solid ground As my word, so mote it be!” (Continues under her breath through the following:) FAUSTUS I think she’s having a fit. CORNELIUS She’s near the end of it. This is an old game, and a new one too. In every epoch it has been the same. FAUSTUS (Grabbing his head) My head’s about to split in two. CORNELIUS (To Marthe) Enough, enough, worthy Sibyl, bring your potion! (Marthe pours the potion into a bowl and hands it to Faustus, who takes it cautiously). CORNELIUS All the way now! Fast as you can swallow! (Faustus drinks it down). MARTHE May the little swallow do you lots of good! CORNELIUS (Taking Faustus by the arm) Ouick now, stick as close as you can! You must get yourself into a sweat. It has to work inside and out. Soon you’ll feel with deep delight. FAUSTUS But let me take one last look in that glass. That woman’s image was too beautiful! CORNELIUS (Pulling him along) No, no! Soon you’ll see her in the flesh. (Cornelius leads Faustus in a quick walk around, as Marthe laughs. The potion visibly begins to have it’s effect on Faustus. He becomes dizzy, staggering around. Cornelius helps him to the stool and to sit down. Marguerite grabs a basket of her wares and exits. Faustus puts his head in his hands and moans. Cornelius watches him carefully. [5] Light rises in the distance. [Upstage]. We see shadow-puppets perform a Witches’ Sabbat. Cornelius turns to watch. Faustus begins to recover. Cornelius helps him stand, indicates the festivities). CORNELIUS (Tongue in cheek) My friend, don’t you long for a broomstick? I’d like a good stout billy goat myself. (Laughs) FAUSTUS As long as I feel fresh, this stick is plenty. (Lifts his walking staff) (They watch the festivities during following:) CHORUS (Singing) The witches sail to Blocksberg’s peak where corn is green and stubble yellow. They gather on the mountaintop while Sir Urian starts the show, and fly up over stones and stumps as witches fart and billy goats reek. So honour to her who merits honour! Forward, Dame Baubo, to lead the throng! A capable sow, and Mother upon her, and the rest of the witches to follow along. The stars are shining, the wind is still, the sad Moon sets behind the hill. As it roars along, the magic choir spits out a thousand jets of fire. And when we sail around the top, First swoop aloft, then skim the ground and cover up the mountain heights with miles and miles of witches! FAUSTUS (Indicating the Sabbat) These are the pleasures that give spice to the way. CORNELIUS What luck for you to see such a sight! Do you hear those voices high in the air? Yes, the whole of the mountainside roars with witch-song in furious choir! CHORUS (Singing) In the briers, in the rushes, through the rocks and on the ponds. now here, now there, piercing the dark, glowing, then fading, will-o’-the-wisps. Careful, be careful. From far, from near. in the rustling grasses, under the cypress, flickering flames, frozen firelight, these are the souls of the departed. This is Walpurgis Night. Whoo, whoo. Whoo, whoo. How the cups seem to fill at the name of the ancient gods. How the air resounds with our shrill harmonies. CORNELIUS (Starts in during above -- with enthusiasm) They’re pushing and shoving, rattling and rustling! They’re swishing and swirling, heaving and bustling! They’re shining and sparking, stinking and blazing! They’re in their element today. Stick close to me, they’ll split us up. (Looks for Faustus, who has wandered oil) Where are you? FAUSTUS Here! CORNELIUS What, so far away, already? Here, Doctor, hold on tight! FAUSTUS The fire flames out, the smoke whirls up, the crowd is streaming to the Horned One. Many a riddle soon will be undone! CORNELIUS And many a riddle tied a little tighter. Let the great world tear along as it pleases, we two will settle here in peace. (Having crossed to Faustus, puts his hand on his shoulder) We do as men have always done, from the great world we make our little one. (Looking at the Sabbat) I see young witches here stark naked. The old are shrewd, and cover what they can. Be nice to them, my friend, for my sake. It’s a little trouble and a lot of fun. Come on, I’ll introduce you. (They cross closer) Well, what do you say to this, my friend? Just look out there. You can hardly see the end. A hundred fires are burning In a row. They’re dancing, drinking, cooking, making love. Now tell me, where’s there anything better? FAUSTUS (In the spirit of the festivities) Well, introduce us. But how’II you present yourself, I’d like to know? As a sorcerer, or as the Devil himself? (They both laugh heartily. Enter Marthe, still hawking her wares). MARTHE No, gentlemen, don’t pass this up! This is your chance, don’t miss it! Here is my merchandise, examine it. (Crosses to them, proffers her goods. obviously high) Have you ever dreamed of such variety? And yet there isn’t one thing in my shop, on all this earth there’s not equal, that’s not done wonders for mankind. CORNELIUS Marthe, you don’t understand the times. What’s done is past! What’s past is done! You’ve got to concentrate on novelty. All that appeals to us is novelty. (Marthe crosses to the stool and sits). FAUSTUS I’ll lose track of myself if I’m not careful. Now, this is what I call a real fair. (A young witch -- Gretchen, whom Faustus saw in the mirror -- enters, wearily, and crosses to Marthe). FAUSTUS (Watching Gretchen keenly) Cornelius, do you see a pale sweet girl there? She drags herself across the ground so slowly that her feet seem fettered. I must admit she’s very like the visage from the magic glass. CORNELIUS (Looking) Ah, Gretchen. (Indicating the two women) They’re two, as are we. (Smiles suggestively) FAUSTUS Believe me, they’ve already danced their share. CORNELIUS No one can get enough, tonight. Come on, let’s dance! (Cornelius pulls Faustus over to the two women. Cornelius takes Marthe by the hand, pulls her to her feet, and they begin dancing. Faustus stands unsurely. Gretchen stands, takes his hand, and they begin to dance). FAUSTUS (To Gretchen) One night I had a lovely dream. I dreamt I saw an apple tree. On it there were two lovely apples. I climbed it, for they tempted me. GRETCHEN (To Faustus) The little apples, how you love them! Ever since Eden it’s been so. I know I’m shaking with delight that such apples in my garden grow. CORNELIUS (To Marguerite) One night I had a nasty dream. I dreamt I saw a blasted tree. In it there was a great big hole. Big as it was, it tempted me. MARTHE (To Cornelius, laughing lasciviously) From the cavalier with the horse’s hoof I simply cannot stand aloof. Let him prepare a sturdy pole if he’s not frightened of the hole. (Faustus, out of breath, stops dancing. Gretchen continues, dancing away. Cornelius sees Faustus, stops dancing, and crosses to him). CORNELIUS But why let go of that lovely girl who sang to you so sweetly as she danced? FAUSTUS Right in the middle of the song a little red mouse jumped out of her mouth. CORNELIUS And what’s wrong with that? Don’t be so finicky! You ought to be glad it wasn’t gray. Who minds such things in hours of ecstasy? FAUSTUS And then I saw... (He can’t find the words) CORNELIUS (Laughing) It’s witchcraft, you fool! When I see her sort here on the Blocksberg, I’m overjoyed, It’s just where you belong. (Cornelius returns to dancing with Marthe. Faustus hesitates, looking at Gretchen, then at Cornelius and Marthe, then back at Gretchen. Finally, he crosses to Gretchen and resumes dancing with her. They dance round and round. Cornelius and Marthe dance off. Faustus looses his equilibrium, [7] stumbles around, as Gretchen helps him to keep his feet. The Sun begins to rise. Gretchen leads Faustus around in a slow walk. He seems to regain his senses, focusing more and more on Gretchen. She sits him down. He whispers in her ear. Cornelius and Marthe re-enter, arm in arm, circling the stage, clockwise). GRETCHEN MARTHE I know that you’re just being consider- And you, sir, you are always on the ate. I know only too well that my poor go? talk can never entertain a man of CORNELIUS your experience. Alas, that duty should drive us so! With what a pang one leaves so many places, and yet one simply cannot FAUSTUS stay. One look from you, one word, is more entertaining than all the wisdom of MARTHE this world. In your youthful days that all does (Kisses her hand) well enough, to go wandering thro' the world without a care. But when the days draw nigh, and you must GRETCHEN drag on to the grave alone, that's Pray, don’t bother! How can you kiss no good to anybody. it? It’s so disgusting, so raw! What sort of things haven’t I had to do. My Mother’s entirely too particular. CORNELIUS (Faustus laughs, hugs her). (Facetiously) I shudder even to see it from afar. GRETCHEN (Mock pouting) MARTHE Yes, out of sight is out of mind. Oh, (Leeringly) naturally you’re polite. But you have So while there’s time, my dear, lots of friends of your own that’re think it over. more intelligent than I. (Cornelius laughs, hugs her). FAUSTUS Believe me, dearest, what men call in- MARTHE telligent often is pedantry and self- (Pushing him away) conceit. We’re really up against it, we poor women. A bachelor’s a hard thing to GRETCHEN convert. What do you mean? CORNELIUS FAUSTUS Just one of your sort would be quite (Smiles at her) enough to make me see the error of my Alas, that simplicity, that innocence ways. should not recognize their sacred worth! MARTHE But tell me right out, have you GRETCHEN found no one? Your heart’s not If only you will think of me one instant, found a haven anywhere? I shall have time enough to think of you. CORNELIUS The proverb tells us, one’s own FAUSTUS hearth and a good wife beat rubies You mean that you are often alone? and fine gold. GRETCHEN MARTHE Our household’s just a little one. Still, I mean, you haven’t ever felt the someone must look after it. I cook and urge? sweep, knit, sew, early and late I’m CORNELIUS I've always been treated with courtesy. MARTHE on my feet. And Mother is so strict. My What I meant was, weren’t you ever Brother’s a soldier. in earnest? (Beat) My father is dead. CORNELIUS (Beat) With women one should never risk a We gave my Mother up for lost, she joke. was so badly off, those days. But little MARTHE by little she got better. (Flabbergasted, turning away) Oh. you don’t understand! (Faustus holds her close. Gretchen looks at him CORNELIUS mischievously, frees herself (Laughing, taking her in arms) from his arms, and runs off. But I do understand--that you are He stands looking alter her a very kind. moment, then follows). (Beat). MARTHE (Looking at the sky) It’s past dawn. CORNELIUS Yes, we must go. MARTHE I’d ask you to stay a little longer, but this town’s such a wicked place. No matter what you do, they talk about you. (They both laugh). MARTHE (Looking around) And our little pair? CORNELIUS Mischievous butterflies! MARTHE It looks as if he’s fond of her. CORNELIUS And she of him. (Rises, helps her up) At’s the way of the world. (They cross off. Beat. Gretchen runs back in, hides behind a bush Faustus enters, looking around for her. He sees her, runs over to her, she pretends to try to get away, he pulls her into his arms). FAUSTUS Ha, so that’s the way you play I’ve got you now! (She mock struggles as he tries to kiss her. They fall to the ground, where they roll around kissing passionately. They fall asleep. [8] Light changes. Enter Cornelius, carrying a bottle of wine. He looks on them amused). CORNELIUS Lie there, poor wretches. Seduced, you come to the bonds of love that allow no resistance. The man or woman whom Eros has struck dumb, gropes long before they regain their reason. (Cornelius shakes Gretchen awake. She sees the hour of day, grabs her clothing, starts towards Faustus, Cornelius stops her, assures her he will take care of Faustus, and she runs off. Faustus awakes suddenly, startled). FAUSTUS (Dazed) The solemn bell shakes with its boom the sooty walls in dread vibration. CORNELIUS What, pray? FAUSTUS (Standing unsteadily) A human being in the making. CORNELIUS (Suggestively) A human being? Have you a loving pair locked in your chimney, in tender passion? FAUSTUS God forbid! That old style we declare a poor begetting in a foolish fashion. (Growing feverish) Blending near traits with far in new mutation. Now hope may be fulfilled. That hund reds of ingredients, mixed, distilled -- and mixing is the secret -- give us the power to compound. (Sits on a rock,takes up a stick and writes in the dirt) The truth of my conviction seems nearer. A mighty project may at first seem mad. A thinker then, in mind’s deep wonder, may give, at last, a thinking brain its being. How can the world ask more? The mystery is brought to light of day. CORNELIUS Then forth! Your journey’s path is clear. (Faustus rises, Cornelius hands him a hefty tome, and Faustus heads across stage). FAUSTUS (Turning back to Cornelius) Farewell! I speak it heavyhearted, for fear we may never meet again. (Crosses stage) CORNELIUS Now the hard course you run. When all is said and done, we depend on the actions we have made. [9] (Cornelius exits. Lights shift. Faustus stops and looks at the moon). FAUSTUS Light of the full moon, sad friend, I’ve watched for you so many midnights. It only I might walk upon the mountaintops in your beloved light, soar with spirits through the mountain caverns. (Lifts up the tome) And this mysterious book from Bacon’s own hand. (He opens it and scans the page) The instant that I see this sign what rapture runs through all my senses! (Reads) The spirit world is open to thee: thou merely hast to open thy mind and bathe in it’s glow!” (He reads more, then turns the page) How differently this symbol moves me. (He runs his hand over the page) You are nearer to me, Spirit of the Earth. Already I can feel my strength increasing. (He reads to himself, mouthing the words. After he stops he looks about him). FAUSTUS Spirit whom I have summoned, I feel you hovering over me. Show yourself. (A glow comes from below) VOICE OF SPIRIT (Drawn out) Who calls? (Faustus gasps, and recoils). SPIRIT You, human, called me here? FAUSTUS (Stutters) Yes. SPIRIT I am here. (Beat) Why do you pull back? FAUSTUS I am overwhelmed! SPIRIT Where is your strength? FAUSTUS (Standing tall) I’ll not cower. (Beat) I am Faustus! I seek your counsel, spirit. SPIRIT Then come, Faustus. Come to the mountain. (Begins to fade away) I shall lead you. FAUSTUS I come. (Lights fade to black. [10] Then up, as the break of dawn. Faustus stands with his eyes closed, his face lifted to the horizon). FAUSTUS (Opening his eyes) I have, so far, gained all that I asked. Not in vain did I leap into the fire. (Looking “out”) You gave me glorious Nature for a kingdom, the power to feel and enjoy her. I have been permitted more than wandering visits, looking into her heart as into a friend’s. I was led before the interminable line of living things, and taught to know my brothers in the silent earth, in the air, the water. (Beat. Calmer) My heart’s last secret wonders are laid bare. (Looking up again) Softly now, the sun rises. From cliff and thicket the past’s silvery forms drift by me, soothing the bitter Joys of thought. (Crosses to other side of stage) And yet, alas, for mankind nothing is perfect. I feel that now. I’ve gained this rapture that brings me nearer and nearer the gods. Within my breast burns a savage tire for that bewitching image of a woman. From desire I stagger to enjoyment, and then, enjoying, languish for desire. THE INNNER VOICE OF FAUSTUS Haven’t you gone on this way long enough? How can you keep on liking such a life? It’s fine to take a taste of it, once, but now it’s time to try out something new. FAUSTUS I wish you had something more to do than bother me on one of my good days. VOICE Leave you in peace? Do not say so in earnest. Such a surly and ill-natured lunatic is very little loss. FAUSTUS That is exactly the right tone! I thank you for having bored me. VOICE Miserable son of earth, what kind of life would you have led without me? Why, except for me, you’d long ago have walked right off the globe! Why squat in holes or caverns like a hoot owl? Why suck strength like a toad from sodden moss and dripping stone? A sweet and lovely avocation. You still can’t get the Doctor out of the system. FAUSTUS Do you understand the life, the energy, this roaming in the wilds has given me? Oh, but if you’d the least suspicion, you’d be devil enough to begrudge me my joy! VOICE A joy right out of this world! To lie in dew and darkness on some mountain, to hug yourself, in rapture, in earth and sky. To blow yourself up till you’re the size of a god. To grope, clairvoyant, deep within the marrow of the earth itself. To enjoy in your proud strength, till you’ve overflowed Into the universe in bliss, the son of earth left far behind. And then to crown this lofty intuition... FAUSTUS Shame on you! VOICE So, that doesn’t suit you! One mustn’t whisper in the ear what the heart can’t do witho ut. You’re already worn out. If this keeps up, in your gloom and anguish you’ll drive yourself crazy. FAUSTUS (Pleading) No! VOICE (Changes into Gretchen’s voice)) Your sweetheart sits at home dreary, heartsick. She is mad about you, you’re never out of her thoughts for an Instant. At first, like some stream the melting snow has flooded, your love drowned her in its frenzy. You poured it all into her heart, but now your stream’s run dry. Instead of sitting here, King of the Woods, your lordship should reward her for her love. Time is unbearably long for her. She stares out of the window, and watches the clouds float above the old wall of the city. Her song runs “If I were a bird!” all through the day, and half of the night. Sometimes she’s happy, sometimes she’s sad. Other times she’s cried herself dry. And then she gets quiet, or so she seems. And, always, she is sick with love. FAUSTUS (Clamping his hands over his ears) Snake! Snake! Get away from me! Don’t even name that glorious creature! Don’t call up in my half-crazed senses the craving of that lovely body. VOICE She thinks you’ve run away. More or less, It’s what you’ve done. FAUSTUS Even when I’m far away. I’m near her. I can never forget her, never lose her. VOICE We want you in her bedroom, not your grave. FAUSTUS What good’s the ecstasy within her arms? What if I warm myself against her breast? Shall I not, always, feel her misery? Am I not without peace? The fugitive, aimless, that like a cataract plunges from rock to rock, in greedy rage, down into the Abyss? And there, with her childlike dreaming, in her little hut, with all her homely doings, she stands within her little world. VOICE How It does blaze, how it does boil! When such a blockhead gets to his wits’ end, right away he thinks it’s the end of the world. There’s nothing in this world as idiotic as a devil who despairs! (Faustus stands bewilderment. Beat). FAUSTUS (Dropping to his knees) No! (Spot up on Gretchen). GRETCHEN (Melancholic) My peace is gone. My heart is sore. Where I don’t have him, is the grave. The whole world Is sour. My poor mind goes round and round. (She looks out the window) When I look out through my window, I look for him. When I leave the house. I go on looking. His noble bearing, his gallant walk. The strength of his hand, his smiling mouth. The power of his eyes. His talk flows from magic to magic. (Putting her hand to her head) And, oh, his kiss! (Begins to cry) My bosom yearns for him. If only I could catch him and hold him. And then kiss him as long as I would. His mouth. Gone. (She buries her head in her arms and cries. Spot out. The sun rises. Faustus crosses down. Stops to survey the sunrise). FAUSTUS (Breathing in deeply) The throb of life returns. My pulse beats soft to ethereal dawn. (Slightly giddy) Oh steadfast earth, breathing beneath my feet, and bathing me in fresh joy of living in high resolve that banishes misgiving. You stir my soul to prove life’s true worth. In the gold of dawn the forest is alive with myriad voices. (Looks up the mountain) The dazzling sun strides forth, and fills the air. (Bringing his head back down, calming down) And so it is, when hope’s earnest striving has toiled in aims as high as man may dare, fulfilment’s fair promise, but from those depths comes a driving, fiery blast, that takes us unaware. Thinking to light life’s torch I find my highest hope In a sea of fire. And such fire! Of love? Or the fierce glow of hate? This blend of joy and sorrow confounds me, sending me to earth. (Spirits rising again, looking ahead) Gazing down I view the deepest solitude. (He climbs off the stage, crosses to the side of the audience). FAUSTUS (Musing) The earliest treasures of the heart come welling up. The first, swiftly felt, scarce comprehended glance, which, claimed and held, all other jewels could outshine, now like the soul’s pure beauty mounts the ether on high, and all that’s best within my soul It bears beyond. (Beat) The nobly silent hills loom in peace that stills my question whereor why. (He slowly crosses to the exit during following: spot up, Klinge steps into it). KLINGE (Consulting notes) When he was a student at Cracow he studied magic, for there was formerly much pract ice of the art in that city and in that place too there were public lectures on this art. He wandered about everywhere and talk9d of many mysterious things. (Pullin a letter from his stack) A letter rom Conrad Mutianus Rufus, Canon of St. Mary’s Church at Gotha, to Heinrich Urbanus. October 3, 1513. (Reads) “Eight days ago there came to Erfurt a certain soothsayer by the name of Georg Faustus, the demigod of Heidelberg, a mere braggart and fool. His claims, like those of all diviners, are idle and such physiognomy has no more weight than a water spider. The ignorant marvel at him. Let the theologians rise against him and not try to destroy the philosopher Reuchlln. I heard him babblIng at an Inn, but did not reprove his boastfulness. What is the foolishness of others to me?” (Shuffling notes) While at Erfurt he rented quarters near the large Collegium, and through his boastfulness brought it to pass that he was allowed to lecture publicly and to explain the Greek poet Homer to the students. When, in this connection, he had occasion to mention the king of Troy, Priam, and the heroes of the Trojan war, Hector, Ajax, Ulysses, Agamemnon, and others, he described them each as they had appeared. He was asked, for there are always inquisitive fellows and there was no question as to what Faustus was, to bring it to pass through his art, that these heroes should appear and show themselves as he had described them. He consented to this and appointed the time when they should next come to the auditorium. And when the hour had come and more students than before had appeared before him, he said in the midst of his lecture that they should now get to see the ancient Greek heroes. And immediately he called in one after the other and as soon as one was gone another came in to them, looked at them and shook his head as though he were still in action on the field before Troy. The last of them all was the giant Polyphemus, who had only a single terrible big eye in the middle of his forehead. He was devouring a fellow, one of whose legs was dangling out of his mouth. The sight of him scared them so that their hair stood on end and when Doctor Faustus motioned him to go out, he acted as though he did not understand but wanted to grasp a couple of them too with his teeth. And he hammered the floor with his great iron spear so that the whole Coliegium shook, and then he went away. (Spot down as Klinge exits. Fade to black as Faustus exits). END OF ACT ONE

"NEVERMORE" (B) (2011)

LAMENTATION, or, To Hell Ye Go, Doctor Faustus ('95)

dialogue from
Christopher Marlowe
and
the Faustbuch, translated by H.G. Haile



Faustus looking “out” (over the audience).

FAUSTUS
Couldst this be Heaven whereupon I look?
Then I indeed be in Hell.
Must I spend eternity spying upon the joys of Heaven
Of which I am deprived?
(beat)
Or, am I deceived?
Is this merely a phantasm of the brain?

He rubs his head vigorously, as if wiping away the visions. He looks again,
sees nothing.

(looking around)
Where art thou, Faustus? Wretch, what hast thou done?
Damned art thou, Faustus, damned; despair!
Hell claims his right. Where is mercy now?
Accursed Faustus, miserable man,
That from thy soul exclud’st the grace of heaven
And fliest the throne of his tribunal seat!

He looks for escape. Lights come up upstage, revealing strange dancing shadows,
with the sound of wailing.

VOICE
The jaws of hell are open to receive thee.

Faustus cries out.

FAUSTUS
Now, Faustus, let thine eyes with horror stare
Into that vast perpetual torture-house.
There are the Furies tossing damned souls
On burning forks; their bodies boil in lead.
There are live quarters broiling on the coals,
That never can die. This ever-burning chair
Is for over-tortured souls to rest them in.
These that are fed with sops of flaming fire
Were gluttons and loved only delicates
And laughed to see the poor starve at their gates.
But yet all these are nothing; thou shalt see
Ten thousand tortures that more horrid be.
0, I have seen enough to torture me.

He falls to his knees.

FAUSTUS
O God,
If thou wilt not have mercy on my soul,
Yet for Christ’s sake, whose blood hath ransomed me,
Impose some end to my incessant pain.
Let Faustus live in hell a thousand years,
A hundred thousand, and at last be saved.
0, no end is limited to damned souls.
Why wert thou not a creature wanting soul?
Or why is this immortal that thou hast?
Ah, Pythagoras’ metempsychosis, were that true,
This soul should fly from me and I be changed
Into some brutish beast. All beasts are happy,
For, when they die
Their souls are soon dissolved in elements,
But mine must live still to be plagued in he11.
Cursed be the parents that engendered me!
No, Faustus, curse thyself, curse Lucifer
That hath deprived thee of the joys of heaven.

There is a rumbling. Faustus steals himself. Nothing comes. He rises.

FAUSTUS
But Faustus’ offence can never be pardoned. The serpent that
tempted Eve may be saved, but not Faustus. Though my heart
pants and quivers to remember that I have been a student there
these thirty years, would I had never seen Wittenberg, never
read a book.
(beat)
And what wonders I have done, all Germany witnessed -- yea, all
the world -- for which Faustus hath lost both Germany and the
world, yea heaven itself, heaven the seat of God, the throne of
the blessed, the kingdom of joy, and must remain in hell for
ever. Hell, ah hell for ever! What shall become of Faustus,
being in hell for ever?

He searches above.

FAUSTUS
0, God, whom Faustus hath abjured! God, whom Faustus hath
blasphemed! Ah, my God, I would weep, but the devil draws in
my tears. Gush forth blood instead of tears, yea life and soul.
0, he stays my tongue! I would lift up my hands, but see, they
hold them; they hold them.

He buries his head in his arms.

FAUSTUS
(looking up slightly)
God forbade it, but Faustus hath done it. For the vain pleasure
of four and twenty years hath Faustus lost eternal joy and
felicity. I writ them a bill with mine own blood. The date is
expired.

The sound of gushing wind. Faustus is thrown down. Lights out.



Scene 2: Lights up on Faustus sitting on a rock (the lights should suggest a
different location from Scene 1), looking bored.

FAUSTUS
(with a touch of sadness)
Alas, thou reckless, worthless heart. Thou hast seduced the
flesh round about thee, and my fate is...
(looks around, sarcasm)
fire. The blessedness which once thou didst know is lost.
(frustration)
Alas, Free Will! It was ye let Reason indict Soul, for I
might have chosen succor for my soul by sacrificing my body.
Alas, Love and Hate! Why abide ye both at once in my heart?
Your company hath occasioned all mine anguish.
Alas, Mercy and Vengeance! Ye have caused me to strive after
glory and rewarded me with infamy.
Alas, Malice and Compassion! Was I created a man that I might
suffer those torments which now I see before me?
Alas, alas, is there aught in the wide universe that doth not
conspire against this wretch?
Alas, of what help is this complaint?

He stands, pacing about.

FAUSTUS
Alas, alas, wretched man, o thou poor accursed Faustus, now
in the number of the damned! I must wait the inestimable pains
far more miserable that any tortured creature hath yet endured.
Alas, alas, Reason, Willfulness, Recklessness, Free Will! 0,
what a cursed and inconstant life hast thou led! How unseeing,
how careless wast thou! Now become thy parts, soul and body,
unseeing and ever more unseen.
(stops, becoming withdrawn)
Alas, Worldly Pleasure! Into what wretchedness hast thou led
me, darkening and blinding mine eyes!
Alas, my timid heart. Where were thine eyes?
And thou my poor soul. Where was thy knowledge?
All ye senses. Where were ye hid?
0 miserable travail! 0 sorrow and desperation forgotten of God!

He laughs at himself.

FAUSTUS
(self—mocking)
Alas, grief over grief, and torment upon woe and affliction!
Who will release me? Where am I to hide? Whither must I creep?
Whither flee?
(beat)
Wherever I may be, there am I a prisoner.

F.0.

"OH, HELL!" ('15) for marionette and mask

"OH, HELL!"



Faustus awakens, and stands. Mephostophiles is behind him.

FAUSTUS
Was ist los?! Wo bin ich?!

MEPHOSTOPHILES
The jaws of hell are open to receive thee.

FAUSTUS
(looking about)
Wer hat das gesagt?

MEPH.
It is I, Faustus, Mephostophiles, now thy master.

Faustus looks up, sees Meph.

FAUSTUS
Ach, du lieber Gott in Himmel!

MEPH.
Do not bring Him up here! This is Hell!

FAUSTUS
(looking around)
Was zur Holle?!

MEPH.
This is Hell. Where thou shalt spend eternity.

FAUSTUS
Warum Sie sprechen Englisch?

MEPH.
Because I am an Englishman.

FAUSTUS
Du nimmst mich auf den Arm!

MEPH.
I will only pull thy leg literally, Faustus.

FAUSTUS
Wie, bitte?

MEPH.
I will be tormenting thee, Faustus, for eternity. As is my right and
duty per our pact.

FAUSTUS
Ach ja, daB.

MEPH.
Yes, that.

Faustus tries to run away, but can't get beyond arms length,
and ends up going back and forth.

MEPH.
Thou cannot escape me, Faustus.

FAUSTUS
You dunt zay.

MEPH.
You used English.

FAUSTUS
Ja, I speek Englisch.

MEPH.
I did not know thou spoke English.

FAUSTUS
How doo you dink I know vhat yoo zay?

MEPH.
Oh, right.

FAUSTUS
Dummkopf!

Meph glowers at him a moment, then kicks him in the
stomach, knocking him down.

MEPH.
Watch what thou say, human!

FAUSTUS
(catching his breath)
Heilige ScheiBe!
(standing)
I did not know you vere zuch a delicate floh-er.

MEPH.
It is MY job to torment THEE for eternity, human.

FAUSTUS
(starts pacing back and forth)
All ouwr contrakt zaid vas you vould hafe me body and soul.

MEPH.
Yes, that is true.

FAUSTUS
Und, vere ist my body?

MEPH.
It was torn asunder by devils, then burnt upon a pier by humans.

FAUSTUS
Vich meenz I am a spirit, ja?

MEPH.
Yes, that is so.

FAUSTUS
(waving broadly at him)
Zo, I can do anyding you can do...
(breaking into semi-song)
...better. I can do anyding better dan you.

MEPH.
(rocking back and forth)
OH NO! NOT MUSICAL COMEDY!!!

FAUSTUS
(laughing maniacally)
JA! DIS IST ONLY DE BEGINNING!

Meph. tries to escape offstage, but still connected to
Faustus, who follows, singing.

UNDEAD, Dreams of Darkness, Act II

ACT II


Scene 14: (On one side of stage: Ward’s office. Neat and tidy. Nothing too personal, just
efficient. On the other side: Laura's room).

(Ward paces pensively. She is alone. Laura lies still. Enter Hesselius).

HESSELIUS
I came as soon as I got your message. What’s happened?

WARD
(Looking at him)
Renfield has escaped.

HESSELIUS
(Shocked)
Really?!
(Beat)
Do you know how he escaped?

WARD
(Frustrated)
No, we don’t. It’s as if he just got up and walked out, and no one saw him.
(Beat)
Of course the police seem to figure that someone on the staff just plain screwed up. Or even helped him.

HESSELIUS
What about the surveillance cameras?

WARD
(Throws up her hands)
He got round them. I can’t figure out how, but none of the tapes show him moving about, let alone leaving.

HESSELIUS
(Considering)
Yes, I see. Very interesting.

WARD
(Turning away)
And that’s not all, either.

HESSELIUS
(Looking up)
What else has happened?

WARD
I just got an e-mail from a doctor in the Czech Republic, who had seen him when he was hospitalized there, to inform me of her imminent arrival. We’re going to look like idiots!

HESSELIUS
(Trying to be comforting)
No you won’t. I am sure she will understand. My friend is an unusual case.

WARD
That he is.

HESSELIUS
When does the Czech doctor arrive?

WARD
Tonight.

HESSELIUS
Kind of sudden, isn’t it?

WARD
Yes, I would say so.

HESSELIUS
Had you heard from her before?

WARD
No. She says she wasn’t intricately involved with his stay there, but his case is apparently similar to others she has worked on.

HESSELIUS
She is a psychiatrist, then?

WARD
Yes.

HESSELIUS
(Musing)
Hmmm. Her visit may prove to be fortuitous.

WARD
How so?

HESSELIUS
Well, if she says she has known similar cases. She may know of some facts peculiar to her country, which might shed some light on it.
(Beat)
By the way, what about Ms. Sheridan? Is there any change?

WARD
She remains comatose. Nothing’s changed since the outburst you witnessed the other night.

HESSELIUS
I would like to see that video again, if I may.

WARD
Of course. But have you seen the latest newscasts?

HESSELIUS
No. Why.

WARD
There’s a new development.
(Takes a moment)
There was a murder, a very brutal murder, at an ATM.

HESSELIUS
Like the one in Czechoslavakia?

WARD
Yes.

HESSELIUS
Were there witnesses? Or video?

WARD
The ATM’S video monitor caught it all.

HESSELIUS
Did it look like Richard?

WARD
(Turns away)
I’m not sure. His face was covered.

HESSELIUS
Really?

WARD
(Turning back to him)
Yes. But it looked like hair.

HESSELIUS
Hair?
(Ponders)
His hair couldn’t have grown out that fast.

WARD
It’s very strange. And yet...

HESSELIUS
(Looking at her)
Yes?

WARD
I had the strongest feeling it was him.

HESSELIUS
(Frowning deeply)
This is bad, very bad.

WARD
Do you think that was Renfield in the ATM?

HESSELIUS
(Looks at her a moment before speaking)
Yes.
(Beat)
I’m certain that it was him.

WARD
(Trying to remain steady)
What do we do now?

HESSELIUS
I don’t know.
(Turns away)
I really don’t know.

(He slowly exits, pensive. Ward follows. Lights shift to evening. Bathory
enters Laura’s room. She smiles seeming benevolence down on her. She passes
her hand over her. Laura rises slowly, trance—like).

BATHORY
I have come to visit you, my child.
(Beat)
Do not be afraid.

LAURA
(Faraway)
You’re her, aren’t you?

BATHORY
(Smiles with a chuckle)
Yes.

LAURA
What have you done with my Richard?

BATHORY
He is no longer yours. He belongs to me now. As will you.

(Laura seems to stuggle against her. Bathory sits beside her).

BATHORY
(Caressing Laura’s hair)
My sweet child. Don’t you remember me from your dreams? How I loved you?

(Laura gasps. Bathory laughs).

LAURA
Was it real? Was it not just a dream?

BATHORY
No, my child.

(Bathory brushes Laura’s hair away from her throat, then leans into it. Laura
gives a small cry. Ward enters, crosses listlessly to her desk. She leans on
it for a moment, deep in thought. Bathory rises and lays Laura back down,
then exits. There is a knock at the door, which startles Ward. She looks up).

WARD
(Forcing her voice to be steady)
Yes? Come in.

(The door opens, enter Bathory — in her guise as Dr. Elisabeth Nadasdy).

WARD
Can I help you?

BATHORY
I am Dr. Nadasdy. You are Dr. Ward?

WARD
(Crossing to her)
Yes, I’m Dr. Ward.
(Stretches out her hand to shake)
Pleased to meet you, doctor.

(They shake hands).

WARD
(Indicating chair in front of desk)
Please have a seat.

(Bathory sits. Ward crosses around her desk, and sits behind it, leaning
forward with her elbows on the desk).

WARD
(A little nervous)
I was surprised to hear from you. Your name wasn’t on any of the reports I’d received along with Mr. Renfield.

BATHORY
As I stated in my electronic-mail, I was not intricately associated with his treatment in Prague. I merely observed.

WARD
(Trying not to offend)
Oh, I understand that. It’s just, well, it was kind of sudden, and, I’m afraid, there has been a recent complication with the patient.

BATHORY
(Raising an eyebrow)
Oh? May I presume to ask what that is?

WARD
(Sheepishly)
I’m afraid I can’t go into it at the moment.
(Searching)
I’m not trying to be evasive, but...

BATHORY
I do appreciate your position. And, as a guest here, I do not wish to impose. I would like to be of assistance, if I may. As I also stated in my electronic—mail, I have worked with some similar cases, and merely wish to compare notes.

WARD
(Relieved)
Yes, of course. I can fill you in on the details of his stay here, since he arrived.
(Beat)
Hopefully, I will be able to fill you in on the rest. Maybe even as soon as tomorrow.
(Beat)
Do you know how long you plan to stay?

BATHORY
I am on a study tour, so I will be not too far for some time.

WARD
Oh, very good.

(Pause. Ward looks uncomfortable, as Bathory watches her. Bathory rises).

BATHORY
Perhaps I should leave for now?

WARD
Oh, yes, of course.
(Leads her to the door)
Get yourself settled, and maybe we can talk tomorrow. Okay?

BATHORY
(A wry smile)
Certainly. Good night.

(She exits. Ward puts her hand to her forehead for a silent moment. Bathory
re-enters Laura’s room and kneels beside her. After a beat Bathory exits.
Ward crosses to door and exits. Lights shift to day. Ward enters and crosses
to her desk, where she looks through some papers, distractedly. There is a
knock at the door).

WARD
(Standing)
Come in.

(Enter police detectives Murnau and Galeen).

MURNAU
Dr. Ward?

WARD
Yes?

(Murnau and Galeen flash their badges).

MURNAU
I’m Detective Murnau, and this is my partner, Detective Galeen.

WARD
(Stepping from around the desk, dreading what’s to come)
How can I help you?

MURNAU
You know why we’re here, doctor?

WARD
(Regaining composure)
Something to do with my escaped patient, I’d guess.

GALEEN
You’ve heard about the murders the press is calling “The Cannibal Killings”?

WARD
(Guarded)
Yes.

MURNAU
We have reason to believe your patient is the perpetrator.

GALEEN
Have you had any thoughts on where he might go? Or hideout?

WARD
(Crossing back to her desk)
No. There’s nothing in his profile to suggest his movements.
(Turning back to them)
At least not to me.

MURNAU
You don’t seemed too surprised by the allegation.

WARD
(Sitting)
I’ve been wracking my mind over the possibility.

GALEEN
Did you see the ATM footage?

WARD
Yes.

GALEEN
Did it look like your patient...
(Looks at notebook)
...Richard Renfield?

WARD
(Sighing)
I couldn’t tell. If it was, something was very different about his face.

MURNAU
It seemed to be covered with hair. The photos you gave us had him clean—cut.

WARD
We kept him shaved, and his hair cut.

MURNAU
(Thinking)
Hmmm. He couldn’t have grown that much hair that fast.
(Starting for the door)
If you think of anything else, please all us.

WARD
I will.

(They exit, closing the door behind them. Ward sighs loudly and lays her head
on the desk. Laura jumps from her bed, crouching down).

LAURA
Richard?
(Looking around)
Richard? Are you there?

(Special upstage into which Renfield pounces, looking wolfish, with viscera
dripping from his mouth. B.O. In the darkness the sounds of sirens and
gunshots. Lights up on Ward facing out window. Laura back in bed. A knock at
the door. She wearily turns to the door).

WARD
Enter.

(Enter FBI agent Dreyer).

DREYER
(Flashing i.d.)
FBI. Agent Dreyer. I’d like to ask a few questions.

WARD
(Stands)
Of course. Come in.

(He crosses to her, she indicates chair, he sits).
[NOTE: in the final draft, now lost, the detectives were excised, and
the FBI agent, now named FONTAINE, was changed to a woman]

WARD
This, I suppose, has to do with the murders, and my escaped patient?

DREYER
Yes, precisely.

WARD
How come the FBI is involved?

DREYER
I’m a profiler. I’m working with local police to help them capture your patient.

WARD
Will they capture him? Or just kill him on sight?

DREYER
If I can successfully get inside his head, we might be able capture him alive.

WARD
I got the impression the police were more interested in killing him, than capture.

DREYER
(Slight smile)
I think the priority for all of us is to stop him before he kills again.

WARD
Yes, of course. I don’t mean to sound unconcerned with the victims. I’m very concerned.
(Puts a hand to her head)
I feel partially responsible.

DREYER
His escape?

WARD
(Sighing)
Yes.

DREYER
I’ve talked with detectives Murnau and Galeen, and seen the observation tapes you gave the police, and am very puzzled by his escape. Strange how the nurse on duty got suddenly ill, and the security guard had to help her, leaving the way clear for him.

WARD
This case gets stranger and stranger.

DREYER
I know you’ve been bombarded with questions, but I’d still like you to go over it with me, if you would.

WARD
I don’t know. Oh...

DREYER
Yes?

WARD
I don’t know if will help, but there was a woman who has just arrived...
(Waving vaguely at the chair)

DREYER
Yes.

WARD
She’s from the Czech Republic, and, although she wasn’t directly involved with Mr. Renfield’s case, she was there at the Czech hospital when he was.

DREYER
Really? What brought her here?

WARD
She’s on a study tour, and wanted to check up on him. Apparently, she’s seen some other cases similar to his.

DREYER
Do you know where I can reach her?

WARD
(Realisation)
Oh. No, I don’t know where she’s staying.
(Looking apologetic as cross behind desk)
I’m sorry, I was trying to avoid coming out and telling our patient escaped, and then, well, I just didn’t get to ask. But she should be getting in touch with me again, probably today.

DREYER
He came out of his stupor kinda suddenly, after all.

WARD
Yes. Very suddenly. I have to admit his is one of the strangest cases I’ve ever even heard of.

DREYER
Unusual?

WARD
Very. When he’s captured...
(Beat)
...assuming he is captured, and not killed, he’ll need to be put under heavy security, and fully observed.

DREYER
We just hope to stop him, before he kills again.

WARD
Yes, of course.
(Beat)
Actually, I think there is someone else who might be able to shed more light on it
than I.

DREYER
Oh?

WARD
Yes. He’s not been officially connected with the case, but, as a friend and colleague of Mr. Renfield, he has been supportive. He was a little reticent to open up to the police, as his and Renfield’s pursuits involve the Occult, but he told me he’d like to find someone to listen to his theory.

DREYER
So he has a theory?

WARD
Yes. He was reluctant to even share it with me, for fear I’d balk. At this stage I’m willing to keep a completely open mind.

DREYER
His theory is not...
(Beat)
...within the traditional acceptance?

WARD
Not in the modern world. Or, at least not in our scientific society.

DREYER
(Thoughtful)
Hmm. I would be interested in speaking to him.

WARD
And you'll keep an open mind?

DREYER
“There are more things in heaven and earth than are dreamt of in your philosophies, Horatio.”

WARD
I’ve begun to take that quote to heart.
(Beat)
I’ll call Dr. Hesselius.

(She picks up phone, as Dreyer makes a note).

DREYER
Hesselius? How do you spell that?

(Ward hangs up phone. Bathory enters Laura’s room, dressed like a doctor. She
kneels beside Laura’s bed).

BATHORY
(Caressing her hair)
Tonight, my child. Tonight, you leave this life, and join me in mine.
(Beat)
I may even give you your little Richard back.
(Chuckles, then becomes suddenly alert)
But I must leave you for now.

(She kisses Laura’s forehead, and exits. Lights shift to show passage of
time. Ward stands over Dreyer as he looks through [Renfield’s] file. A knock
at the door).

WARD
(Turning)
Come in.

(Hesselius enters. Ward crosses to him, as Dreyer rises and puts the folder
on the desk).

WARD
(Warmly)
I’m glad your here.

HESSELIUS
I told you I’d come whenever you called.

WARD
(Taking his hand)
I know. But this mess...

DREYER
(Crossing to them)
Dr. Hesselius, I’m Agent...
(Shows his credentials)
...Dreyer, of the FBI.
(Puts out his hand to Hesselius)
Dr. Ward told you about me.

HESSELIUS
(Shaking his hand)
Yes, of course.

DREYER
Let’s talk.

(They all cross back to the desk. Dreyer indicates for Hesselius to sit in
the chair he just vacated, and Hesselius sits).

WARD
(To Dreyer)
Why don’t you sit in my chair, Mr. Dreyer.

DREYER
(Smiling)
No thank you, doctor. I prefer to think on my feet.
(Indicates her chair)
Why don’t you have a seat.

(Ward sits in her chair. Dreyer stands a few feet away, up and between them).

DREYER
Now, Dr. Hesselius, why don’t you tell me what your theory is. Please be candid. I won’t scoff.

HESSELIUS
I am glad to hear it.
(Gathering his thoughts)
You see, I, like my friend Richard Renfield, am a student of the Occult. We believe in what is generally known as the Supernatural. How we put it is, simply, that many things thought of as Supernatural in the popular mind, are simply phenomenon at present unexplainable by science. Of course, the Scientific Community derides anything outside their realm of understanding, save for a few free—thinkers, who know better.
(Beat)
I believe that Richard came into contact with some, how shall I put it?...some kind of negative force which did not drive him out of his mind, but altered his conciousness.

DREYER
You mean like what used to be called demonic possession?

HESSELIUS
Very like. You see, just as various chemicals can alter our senses, so too can energy. Take for instance, sun-depravation, or electro-shock therapy.

DREYER
(Very focused)
Yes, I see.

HESSELIUS
I don’t pretend to know the nature of this force, which has altered my friend, but I do know that he is no longer himself. For, despite what the public may think of the
Occult, we’re not all into evil ways. Richard was a pacifist.

DREYER
(Picking up file off desk)
It says in this report that he was in the Czech Republic to study a centuries old serial murder case.

HESSELIUS
Yes. The Countess Erzsebet Bathory was what one today would call a serial murderer. She was responsible for the brutal deaths of some six hundred and fifty young women.

DREYER
(Whistles with amazement).
How did she get away with that?!

HESSELIUS
Her family was one of the most powerful in Hungary. For years she only killed peasant women hired as servants. It was only when she started using girls of the lower aristocracy that she was finally put on trial, albeit in absentia.

DREYER
What happened to her?

HESSELIUS
She and her accomplices were condemned. The accomplices were burnt at the stake, and she was walled up in a room in her castle, with only a very small food hatch and some
ventilation slits left open. She died about four years later.

DREYER
And Renfield was working on a book about her?

HESSELIUS
Yes. He was trying to connect with her spirit, her essence, or something that would lead him to a deeper understanding of her psyche, and what drove her to torture and kill.

DREYER
She also tortured her victims?

HESSELIUS
Yes. She had sessions, which were referred to as “games”, in which she and her accomplices, a small core of loyal servants, would use various means of torture.

DREYER
(Repulsed)
Nice lady.

HESSELIUS
She was known as the Blood Countess. Legend had it that she would bathe in the blood of virgins to maintain her youth,though no evidence of her actually doing so ever came to light. But, who knows. There was a great deal of politics going on. The Crown owed a great deal of money to the Bathory family.

(Bathory appears at the window, unseen by them).

DREYER
But you don’t think being at the scene of these crimes could have affected Renfield to the degree he would kill?

HESSELIUS
Actually, if I recall rightly, she didn’t commit many of her atrocities at the castle, as she preferred to be in one of her townhouses.

DREYER
Is it not possible that your friend became obsessed with his studies, to the point that he began to identify with her?

HESSELIUS
Well, I suppose that’s possible, it’s not really my field...
(Looks to Ward)
...I would not presume to deny such a possibility. Dr. Ward knows more about such things.

WARD
I leaned in that direction at the beginning, but he’s not using her methods. She tortured her victims, he, like a wild animal, is tearing his apart, even devouring parts.

DREYER
(Looking at her)
Yes, your quite right.
(Back to Hesselius)
I’m not discounting your explanation. But I do have to remain skeptical until we have more information to go on.

WARD
I heard they shot at him last night, when he...
(She can’t go on)

DREYER
Yes. The policeman who shot at him also claim to have hit him. Several times.

HESSELIUS
Yet it didn’t stop him.

DREYER
No. And that’s not all.

HESSELIUS
Oh?

DREYER
One of the reasons I’m open to your explanation is that in the ensuing chase, this wasn’t reported on the news to avoid panic, he came up against two officers, whom he ripped apart, despite their firing their guns.

WARD
Oh my god.

HESSELIUS
Somehow, we must stop him.

DREYER
Yes. And immediately.

WARD
We must have a plan.

(Both Hesselius and Dreyer nod agreement. Bathory laughs).

DREYER
(Looking off)
What’s that?

WARD
(Concerned)
Must be one of the patients.

(Hesselius listens acutely. In her room, Laura slowly rises off her bed,
smiling malevolently. F.O.).





END OF ACT II


NOTE: Planned and tried unsuccessfully to write a third act. It refused to be written. For the production, I wrote a monologue by Ward, now lost, who explains that Laura disappeared, and that Hesselius and Dreyer went in pursuit. Ward finishes by saying she has no closure, and feels at a loss.

UNDEAD Dreams of Darkness, Act 1

UNDEAD
Dreams of Darkness


by
David M. Nevarrez

based on works by
Joseph Sheridan LeFanu and Braxn Stoker



























David M. Nevarrez
Magus Productions
210 West 70th Street
Suite 210
New York, NY 10023
c 1998 David M. Nevarrez/MagUS Productions
































UNDEAD


characters:

DR. HESSELIUS

RICHARD RENFIELD

DR. WARD

LAURA SHERIDAN

ERZSEBET BATHORY/DR. NADASDY

DETECTIVE MURNAU

DETECTIVE GALEEN

AGENT DREYER



Time: The Present

Place: Here and parts of Czech.



































UNDEAD 1/I





Scene 1. (Ward in a mental institution, with beds and
chairs and a TV monitor. The catatonic Richard Renield sits in chair Center).

(At rise Hesselius enters, circles about Renield, examining him closely).

HESSELIUS
Where are you, my friend? What happened to you out there that you end up here in this state?
(Stopping to one side of Renfield. Beat)
How do I get through to you?
(He sighs and crosses to the door, stops and looks back at Renfield).
HESSELIUS
I hope I can find out.

(He just stands watching Renfield. Beat. Hesselius freezes as lights down, spot
up, Renfield enters it).

RENFIELD
They say I’m mad.
Stark raving mad.
But I’m not mad.
I’m possessed.
(Looks disdainful)
These “priests of science”,
Burd’ning me with their labels,
Are nothing but fools,
Like of old.
(Laughs)
They say I’m mad,
Totally deranged,
Delusional, and schizo.
But I’m not.
(Confidently)
They don’t know what I know.
So they label me insane.
They think they have me.
But has me.
(Closes eyes. Lights upstage, Bathory enters behind him)
Erzsebet.
(Opens eyes)
She found me on my search.
She showd me the yay.
Erzsebet.

(Renfield turns to meet her. She raises her arms, wrapping them around
his neck, pulling him into her. Specials down, beat, lights up, Renfield in chair as before. Dr. Ward enters. She stops next to Hesselius [no longer “frozen”]).

WARD
So, Dr. Hesselius, any thoughts on your friend’s state?

HESSELIUS
(Looking at her)
You did say you’ve already started the standard procedures?

WARD
And still are. First...

HESSELIUS
You don’t have to run down the list, Dr. Ward. I’m only a layman in your field anyway, and I believe you’ve done all you can. It was more of a rhetorical question. As a
philosopher, I’m used to rhetorical questions.

WARD
(Smiles)
I see.

HESSELIUS
And I should take this opportunity to warn you I do a lot of thinking out loud.


WARD
Thanks for the warning.

HESSELIUS
(Looks back at Renfield)
I believe this is more what you could call a deep meditative state, in which he is processing what happened to him, than catatonia.

WARD
(Also looking at Renfield)
Yes, we have not been able to settle on a precise diagnosis. So far i seems different from the usual catatonic state...almost focused.

HESSELIUS
Yes, indeed.

WARD
Did Mr. Renfield study any meditative practices?

HESSELIUS
Yes, several. Although he had difficulty with impatience, he did have some success.

WARD
I see.
(Pulling a syringe from a pocket)
I’d like to try one of the drugs which have had results in bringing patients out of catatonia.
(Beat)
I’m a little uncertain about using it, so I have the minimal dosage of the mildest compound.

HESSELIUS
May I stay while you administer it?

WARD
I was hoping that you would.

(She rolls up Renfield’s sleeve, and gives him the shot. She then stands
back. She and Hesselius watch expectantly. Beat. Lights fade low, specials
up, as Renfield enters crying out. He crosses downstage, diagonally, to one
of the beds and sits. Area light up on bed. It is now Renfield’s room at a
hotel in Prague. Renfield sits writing. Enter Laura Sheridan).

RENFIELD
(Without looking up)
Yes, Laura?

LAURA
(Crossing to him, holding out a newspaper)
I’ve just come across an interesting item in one of the local English papers.

(Renfield stops writing, looks up, takes the paper).

LAURA
(Pointing it out)
This one here, about a bloodless corpse in Brataslava.

(Renfield reads, nodding and making little noises to himself).

RENFIELD
(After a moment)
Most interesting.
(Looks up at Laura)
Did any of the other papers report it?

LAURA
Nothing overtly. They may have buried it without the gruesome details.

(Renfield nods. Beat).

RENFIELD
Well, I was planning to go to Bratislava anyway, and this compels me to go now.

LAURA
And me?

RENFIELD
I want you to stay here and continue transcribing the archival material. I will visit the Slovak Academy of Sciences while I’m there snooping around, and if need be I’ll
set up an appointment for you, then you can come down.

LAURA
(Putting a hand on his shoulder)
Fine.

RENFIELD
(Standing uncomfortably)
Have you seen Mr. DelbrUck?

LAURA
Yes. He’s hovering around the front desk.

RENFIELD
I shall ask him to make travel arrangements for me. He seems to like being helpful.

LAURA
Would you like me to talk to him?

RENFIELD
(Taking a few steps away)
If you don’t mind.

LAURA
(Smiling)
Of course I don’t mind. If I can have a kiss first.

RENFIELD
(Stuttering)
I...Laura...about last night...

LAURA
(Teasing)
Yes?

RENFIELD
(Forcing it out)
I’m not...well, uhm, I just don’t know if we should really be involved, since we’re working together.

LAURA
(Mock-pouting)
Why?

RENFIELD
Well, our work is very...uh...dense. We need to concentrate fully upon it.

LAURA
(Amused)
Did you miss your books when I was in your bed?

RENFIELD
(Blushing, forced laugh)
No. Not really.

LAURA
(Moving close to him)
You mean a lot to me. I want to help you. I would never interfere with your work. If you need to go to Brataslava, and I have to stay here, I’m fine with that. I’ll miss you while I'm not with you, but I’ll be fine.

(He smiles at her, glowingly. She kisses him. He kisses her back. They kiss deeply. Beat. Then they pull back a little).

LAURA
So, when do you need to go?

RENFIELD
(Slight hesitation)
I need to go no later than tomorrow. You can go now.

LAURA
(Mock serious)
Yes, sir.

RENFIELD
(Reserved)
Thank you.

LAURA
(Brightly)
Certainly.

[3] (Laura exits. Lights shift. Renfield gets ready. Laura enters).

LAURA
(Mock military-style)
Good morning, sir.

RENFIELD
(Laughs)
Good morning, Laura. How are you, this morning?

LAURA
Just fine. And you?

RENFIELD
Feeling quite well.

(She crosses to him and kisses him).

LAURA
Are you ready?

RENFIELD
In a moment I’ll be on my way to the train.

LAURA
Following the trail of Countess Báthory.

RENFIELD
Exactly. As I may have mentioned I believe there are some important documents in the Slovak Academy of Sciences there.

LAURA
Yes, you did.
(Smiling)
A few times.

RENFIELD
Oh? Oh. The absent-minded professor.

(She laughs. He chuckles).

LAURA
And the murder?

RENFIELD
Yes, well, there’s a ghoulish little murder.

LAURA
(Smiling knowingly)
I see.

RENFIELD
Well, I must be off, or I’ll miss my train.

LAURA
(Putting her arm in his)
I hope the trip is pleasant.

RENFIELD
Thank you. Adieu.

(He kisses her).

LAURA
Adieu.

(Renfield exits. Laura watches him. Lights down. During the black—out the
sounds of a train WHISTLE, followed by moving train ENGINES, [possibly FILM
of train). Lights up on Renfield’s Hotel room in Bratislava - opposite side
of the stage from the other. Renfield on bed talking into a camcorder).

RENFIELD
Safely ensconced in Bratislava. The only information I could get on the murder was heresay. Hard to determine how much is true. I’ve decided to forget about that for now and concentrate on my studies. Tomorrow I take a bus for Vishine, the town near Castle Cachtice. There I shall probably have no trouble hiring a guide to the castle.
(Muses a moment)
I shall have to have Laura...
(Coughs)
...uh, Ms. Sheridan come down here as soon as possible. Then I can set up an appointment, if need be, at the Academy.

(Lights shift to interior Entrance of Castle Cachtice, as Renfield rises and
crosses).

RENFIELD
(Looking around)
HELLO! HELLO! Can you here me?!

(He crosses to the center).

RENFIELD
Hello?!

(He starts fiddling with his camcorder. Enter Bathory from another room
unseen by Renfield. She smiles at him. He suddenly looks up and sees her. He
is suprised).

RENFIELD
Hello. Do you speak English?

BATHORY
Among other languages.

RENFIELD
(Shutting off the camcorder)
I assume you are not the watchman. Have you seen him?

BATHORY
(Amused)
Him? You assume it is a man?

RENFIELD
Well...I did think...

BATHORY
(Laughs)
No, you are quite right. I am not the watchman. And it is a man. I haven’t seen him recently, though.

RENFIELD
Oh.

BATHORY
If you like I could show you around. I know the castle very well.

RENFIELD
Oh, I wouldn’t like to impose.

BATHORY
It would not be an imposition. I would enjoy it.

RENFIELD
Thank you very much.

BATHORY
Come.
(She turns back to from where she came)
Is there any special area you would like to see first.

RENFIELD
I shall follow your lead.

BATHORY
Very good.

(She turns and exits. Renfield follows. Lights shift to a dungeon of the
castle lit by torches. Enter Bathory and Renfield. Renfield looks around).

BATHORY
I’m afraid it is too dark for your video.

RENFIELD
Nowadays, you can use them in pretty low light.

(He turns on the camcorder, but there is something wrong. He fiddles with it a moment).

RENFIELD
Only I seem to have used up another battery.
(Looks puzzled)
Strange. I just put a fresh one on when we were in the first tower. It shouldn’t have run out already.

BATHORY
(Ominously)
Stranger things have happened in this castle.
(Indicates the surroundings)
Right here, in fact. If these walls could talk.

RENFIELD
(Looking around)
I know.

BATHORY
Oh?

RENFIELD
(Looking at her)
I’ve done a bit of research on one of the former occupants.

BATHORY
Really?

RENFIELD
Yes. That’s why I’m here, specifically.

(She smiles wickedly, as he looks around some more).

BATHORY
The Blood Countess?

RENFIELD
(Sheepishly)
Well, yes, I’m afraid so.
(Looks at his feet)
I suppose there are a lot of curiosity seekers milling about here all the time.

BATHORY
Yes. But you have the air of a scholar.

RENFIELD
(Looks up)
Yes, it is more than idle curiosity.

BATHORY
(Moving closer)
You want to know more?

RENFIELD
(Emphatic)
Yes. Yes I would.

BATHORY
(Turning away)
Shall I show you something?

RENFIELD
(Trying not to be too eager)
If you like.

(Bathory crosses to behind a covered table
[NOTE: in ward scenes appeared as sleeping patient],
removes cover, revealing a Satanic altar).

RENFIELD
(Surprised)
What’s this?

BATHORY
(Matter of factly)
An altar.

RENFIELD
(Wary)
I understand that. What I mean is, what is it doing here?

BATHORY
I put it here.

(Beat. Bathory smiles).

RENFIELD
(Guardedly)
Why?

BATHORY
I wish to raise a spirit.

RENFIELD
And why are you showing me this?

BATHORY
I want your help.

RENFIELD
Oh?

BATHORY
I thought you were eager to learn.

RENFIELD
Yes, but...

BATHORY
But?

RENFIELD
This could be dangerous.

BATHORY
(Laughs as crosses around front of altar)
Come now, Mr. Renfield, you wouldn’t want to pass up experience of a lifetime, would you?

(Beat).

RENFIELD
What I do want to "pass up on" is the death of me.

BATHORY
You think I'd risk your life?

RENFIELD
No offence, but I do think you have your own agenda.

BATHORY
Quite true. But leaving an unexplained corpse would not suit my agenda.

RENFIELD
And there are other risks, besides death.

BATHORY
A full life is full of risk.

RENFIELD
Touche.
(Beat. Cautiously)
What do you want me to do?

BATHORY
(Smiling)
I need a medium for the spirit to speak through. I want you to be that medium.

(Pause as Renfield has an internal dialogue. Bathory watches him closely).

RENFIELD
And do you know what to do should something go wrong?

BATHORY
I am well-versed in the Art. I wouldn't attempt it otherwise.
(Beat)
It is a risk for me, too.

RENFIELD
Yes, true.
(Steeling himself)
Alright.
(Beat)
I’ll give it a try.

BATHORY
Splendid.

RENFIELD
What do I do?

BATHORY
I want you to lie atop the altar.

(Renfield looks at the altar, hesitates, then crosses to it. Bathory watches
him as he gingerly climbs up onto it, laying down on his back).

BATHORY
Comfortable?

RENFIELD
(Forces a laugh)
Not really.

BATHORY
Just try to relax. Let my words flow over you. Like water.

RENFIELD
Alright.

(Bathory crosses to the head of the altar (above Renfield’s head) and faces him).

BATHORY
(Chanting)
Spirit of Vlad Tepes,
thou mayest now approach the gates of the east
to answer truly my liege demands.
Berald, Beroald, Balbin!
Gab, Gabor, Agaba!
Arise, arise I charge and command thee.

(She circles to the (her) right side of the altar).

BATHORY
(Cirles him through following)
By the Mysteries of the deep,
(Strikes her left hand with her right)
by the flames of Banal,
(Strikes)
by the power of the east,
(Strikes)
and by the silence of the night,
(Stikes)
by the holy rites of Hecate,
(Strikes)
I conjure and exorcise thee, spirit Dracula,
(Skrikes)
to present thyself here,
(Strikes)
and answer truly my demands.
(Strikes)
So mote it be!
(Strikes)

(From her clothing she takes dust, which she tosses over Renfield).

BATHORY
Prince Vlad Tepes Dracula!
(Beat, then louder)
Prince Vlad Tepes Dracula!!
(A wind blows out the torches).

BATHORY
PRINCE VLAD TEPES DRACULA!!!

(Pause. Sound like thunder, flashes of light. A huge shadow looms upstage, reaching across towards Renfield. Torches “re—light”. A vague figure appears
at the far end of the room. It fades, then a light appears on Renfield.
Beat. Bathory steps back from the altar).

BATHORY
Dracula arise!

(Renfield rises stiffly from the altar. He spreads his arms, taking a deep breath).

RENFIELD
I...AM...DRA-CU—LA!

(He roars with laughter. Lights fade to black).

[NOTE: the license to depart should be used afterwards - in such a way as to
be unintelligable to the audience:

Go, go, departed shade Vlad Tepes
by Omgroma Epin Sayoc
Satony, Degony, Eparigon
Galiganori, Zogogen, Ferstigon.
We license thee depart into thy proper place
and be there peace between us evermore.
So mote it be!]

(Lights back to hospital. Renfield begins to "withdraw" back into his
catatonic state. Ward and Hesselius grab him, and lead him to the chair and
sit him down).

WARD
(Disappointed)
Instead of reliving what happened, we get a fantasy.

HESSELIUS
Don't be too sure it's fantasy.

WARD
Oh come now. You can't believe any of that really happened, except in his mind.

HESSELIUS
"There are more things in heaven and earth than are dreamt of in your philosophies, Horatio."

WARD
(Exhaling disgustedly)
Nonsense. It's either a fantasy version of what happened, or an hallucination.

HESSELIUS
Don't be so close-minded, Doctor.

WARD
I don't have time for fairytales.

HESSELIUS
You think the great Religion of Science has explained everything?

WARD
Science and religion are two totally separate issues.

HESSELIUS
Not when subjected to narrow-minded belief.

WARD
(Terse)
I deal in facts. Hard facts. Not superstition.

HESSELIUS
Actually, you deal in theories. Mostly theories. A few facts. Little explanation. Plenty of unanswered questions.

WARD
But...

HESSELIUS
But? But what?

WARD
You believe what?! That he's possessed?!

(Hesselius shrugs. Beat)

WARD
I'm going to go back to my office. Will you join me?

HESSELIUS
Certainly. I would like to talk with you more about this.

(They exit. Beat. Enter Laura, also a patient. She dances around Renfield).

LAURA
(Whispering in his ear)
Well, my love, feeling quieter today? Mmmm?

(Pause. Renfield does not respond).

LAURA
(Standing behind him)
It wasn’t nice of you to go off and leave me, you know.
(Puts her arms around his neck)
I missed you.
(Pouting)
You were with her, weren’t you?
(Looks around at him)
Well? What have you to say for yourself?
(Turns away)
Yes, of course, she is your obsession.
(Turns back to him)
But is that any excuse?
(Beat)
What? Don’t want to talk with your lover? I want to talk with you.
(Caresses his hair)
I’d like to do quite a bit to you.

(During the last statement Ward enters.)

WARD
Laura?

(She spins about. Ward crosses to her.)

WARD
What are doing?
(Beat)
Did I hear you say something, Laura? Were you talking to Mr. Renfield?

(Laura says nothing, just looks at Ward, backing up a few steps).

WARD
(Sighing)
I’m sorry Laura.

(Beat. Ward crosses slowly to Laura, who cowers slightly. Ward smooths Laura’s
hair, and straightens her hospital gown.)

WARD
You have a visitor today. Your Mother is here. I hope you will remain calm.
(Reaching out a hand)
Come, I’ll take you to the visitors lounge, okay?
(Leading Laura out).
You want to see her, don’t you?
(Laura doesn’t respond)
Well, let’s go, alright.

(They exit. Lights fade low, spot up, as Renfield enters it).

RENFIELD
Off to Mama you go
Sweet, sweet child
Let her fold you up
In her smothering arms
She’ll keep you safe
From the big bad wolf

(He laughs, which draws out into a howl, as he dances about. After a moment,
Laura enters, as if in a trance, crosses to Right of Renfield’s chair.
Renfield crosses to behind her, wrapping his arms around her, licks her
neck. She breaks away, runs into the spot).

LAURA
(Frightened)
Richard has disappeared! Where is he? What happened to him?

(Covers her face with her hands. Beat).

LAURA
(Slowly putting hands down)
And now they’ve found him. But...
(Anguish)
...he’s changed. So changed. They say he’s sick, but...
(Intense)
...they don’t see what I see.
(Looks to side)
And then the dreams started.

(She closes her eyes. Lights fade to moonlight. A mist swirls about the room.
Out of the mist emerges Renfield, looking demonic. Laura runs to him, hugs him. He smiles. She dances about. He laughs. She crosses back to the bed,
looking over her shoulder. She lies down. He crosses to the bed, lays down
on top of her. Moonhight down, beat [Renfield exits], lightS up, as Laura
falls to the floor. Pause. Ward enters, sees Laura, runs to her, kneeling
beside her).

WARD
Laura!

(Checks her vitals. Enter Hesselius. Ward turns, sees him, as he rushes over
to them).

HESSELIUS
What has, happened?

WARD
I’m not sure. Help me cry her a bed.

(They lift Laura up and onto the beds).

WARD
Her mother visited her today. It must have upset her more than I thought.

HESSELIUS
What is wrong with her?

WARD
Total withdrawal. After the mysterious disappearance of Mr. Renfield, to whom she was an assistant, she became delusional. Now she refuses to speak.
(Looks thoughtfully at Laura)
Although, I could have sworn she spoke to your friend, Mr. Renfield.

HESSELIUS
(A look of surprise)
Really?
(Considers this)
Most interesting.
(Beat)
And what sort of delusions was she having?

(Ward leads Hessehius from Laura’s bedside.)

WARD
She believed Mr. Renfield was taken by demons, and that he had come to her, that he needed her blood.

(Hesselius looks over at Laura).

WARD
Also, she seems to have anemia, but I strongly feel there’s far more to it, though I can’t figure out what. The night before last, an orderly entered the room when he heard strange noises and Laura went into violent hysterics. They had to restrain her before they could give her a sedative.

(Hesselius frowns).

HESSELIUS
Have you been able to get her to open up at any point?

WARD
No. She hasn’t talked since she was brought in, excepting her fit the other night.

HESSELIUS
Most curious.

(They cross to door).

HESSELIUS
I’d like to observe her tonight. Can that be arranged?

WARD
(Opening the door and letting Hesselius exit)
Certainly, Doctor. We have the place fully video-monitored.

(Ward exits after Hesselius. Lights down, spot up. Ward steps into spot).

WARD
Case study #13645. Richard Renfield. Psychic Researcher. Captured in a homicidal frenzy in a forest in the Czech Republic. After murdering one of the locals...
(Inhales)
...rather brutally, near a castle he visited the day before, he went missing for about eleven days. He had been working on a book about one Countess Elisabeth Bathory, popularly known as The Blood Countess.
(Looks troubled)
He left a videotape behind. I don’t know what to make of it.

WARD
It ends just as someone else arrived. It seems he kept taping afterwards, but the
most that can be made out are shadowy shapes. Can’t even tell if they’re human.
(Beat)
His things were found by the watchman in the morning. Later, Mr. Renfield was brought to us.
(Beat)
Then his friend and colleague Dr. Hesselius came, becoming involved with our treatment of him.
(Muses)
We were able to contact Ms. Laura Sheridan, now also our patient, who assisted Mr. Renfield. She came to visit him.

(Lights up as Hesselius enters).

WARD
You watched Renfield’s video?

HESSELIUS
Yes

WARD
Ms. Sheridan also kept a video journal.

(Ward starts VIDEO. Laura sitting at a table).

LAURA (VIDEO)
(Troubled)
I saw Richard today.
(Beat)
It’s the first time since he was put into the hospital. He seems just the same. He doesn’t respond to anything. I haven’t seen his video yet. Dr. Ward gave me a copy. I will watch it tonight. Maybe it will give me some clue as to what happened to him.
(Beat)
I have a sense of foreboding.

(Video CUTS to later, Laura at table, looking unwell).

LAURA (VIDEO)
(Stammmering)
I don’t know...what to...
(Beat)
I think the good doctor cut the tape short, but...
(Looks directly .iDto camera)
Who was that behind Richard? I must insist Dr. Ward show me the end of the tape. I must know.
(Beat)
I must find out what really happened.

(Ward turns the tape off).

WARD
I explained there wasn’t any more on the tape, of course. I don’t know that she believed me. In light of her breakdown since, I suspect she didn’t.

(Turns VIDEO back on. Laura on her couch. She looks dishevelled).

LAURA (VIDEO)
Things are bad. I had a strange dream last night.

(Upstage: Laura rises, sleepwalks to “window” as Bathory enters the “window”
covers Laura. F.O.).

LAURA (VIDEO)
This morning I had two puncture wounds on my throat.
(Beat)
I believe that the thing which appeared behind Renfield was a malevolent spirit of some kind.
(Beat)
Dare I suggest that it is...
(Struggling with the words)
Crazy as it sounds...
(She buries her face in her hands, then looks up)
...I think it is a...vampire.

WARD
(Pausing the video again)
I don’t know how this really fits in with what happened to Renfield, or his disappearence, but Laura Sheridan to know something.

HESSELIUS
What do you mean?

WARD
Her video continues.

(Ward re-starts the VIDEO - CUT to Laura sitting on her bed, looking haggard).

LAURA (VIDEO)
Another dream.

(As following she reacts to remembering, by end burying her head in her hands:
Upstage: Moonlight. Laura enters it, as if in a trance, Bathory comes up
behind her, takes her in her from behind, enveloping her in her coat, pulls
her head back, and bites her in the throat. B.O.
She raises her head, tears running down her face).

LAURA (VIDEO)
I know what I must do.

(She turns off the VIDEO camera. Ward shuts off the VIDEO).

WARD
That’s it.

HESSELIUS
Did you find out what she meant by that last statement?

WARD
No. She hasn’t talked since they brought her to us. And her doctor could not shed any light for us.

HESSELIUS
(Perturbed)
Yet another mystery among many.

WARD
It’s like a crazy jigsaw puzzle for which we have only a few pieces.

(They exit. Lights shift to the castle dungeon. Enter Bathory, followed by
Renfield, who’s on the verge of mania. The sun rises, and Renfield begins to
spasm, falls to the floor, where he writhes, then becomes still. Bathory
just watches him, amused. After a moment he regains consciousness, slowly
gets up on his knees, as if his body hurts all over. He looks up at Bathory).

RENFIELD
(Whimpering)
What have you done to me?

BATHORY
(Chuckling maliciously)
What I please.

RENFIELD
(Pleading)
Make the pain stop!

(Bathory laughs out loud. Renfield drops down, and cries out).

BATHORY
Stop your whining, boy. You will do as I bid. Your will is to serve me. Do you understand?

RENFIELD
(Trying to rise again)
NO!!!

(Bathory crosses to him, grabs him by the hair, pulls his head back, anger
flaring up).

BATHORY
YES! I will bode resistance!
(Letting him go)
You will suffer much otherwise.
(Standing hautily)
Do you understand?

RENFIELD
(Meekly crumpling)
Yes.

(She puts a foot on his back, pushing him down hard).

BATHORY
When I beckon, you will come. When I command, you will do. If I wish it, you will die.
(She leans closer to him)
Understand?

RENFIELD
(Barely audible)
Yes.

(Bathory uprights herself, and laughs. F.O.).



END OF ACT I